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Byzantium and Islam | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2012/byzantium-and-islam

This exhibition follows the artistic traditions of the southern provinces of the Byzantine Empire from the seventh century to the ninth, as they were transformed from being central to the Byzantine tradition to being a critical part of the Islamic world.
depictions were carefully removed and reassembled in a scrambled or transformed manner

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Camille Corot – Sibylle – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435984

Alfred Robaut, Paris (until 1899; sold on February 21 for Fr 6,000 to Durand-Ruel); [Durand-Ruel, Paris, 1899; stock no. 5026, as „Italienne“; sold on December 8, 1899 or January 25, 1900 to Durand-Ruel, New York]; [Durand-Ruel, New York, 1899/1900–1903; stock no
Camille Corot (French, Paris 1796–1875 Paris) 1842 or earlier Landscape In the manner

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Copy after Hugo van der Goes – The Adoration of the Magi – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436523

This composition, in which half-length figures of the three magi are viewed behind a fictive arcade, offering their gifts to the Christ Child—an event celebrated in the Church as the Feast of Epiphany (January 6)—conforms to the rising popularity in the Netherlands for close-up devotional paintings that put the viewer in a direct relationship with the event depicted
the Christ Child, the Virgin and Joseph—and Hugo never repeated himself in this manner

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Jean-Baptiste Greuze – Aegina Visited by Jupiter – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436580

The subject of the painting has for a long time been at issue. If the present identification is correct, then Greuze depicted Aegina, daughter of the river god Asopus, when she was visited by Jupiter in the guise of fire
Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris) ca. 1760–80 Girl’s Head Manner

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Painting by Bishan Das – recto: "Portrait of Raja Suraj Singh Rathor", verso: Page of Calligraphy. Folio from the Shah Jahan Album – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/454620

55.121.10.7 verso–CalligraphyBy its scribe [i.e., Mir-‚Ali]One with the eyes of gazelleshunted the bird of my heart,Robbed me of steadfastness,robbed me, poor lover, of rest
paintings, the quality of sure and supple brushstrokes and similarities in the manner

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Ibn Sukkara al-Hashimi – Cup with a Poem on Wine – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/451748

Two Vessels Inscribed with a Poem on Wine (MMA 64.133.2 and British Museum ME OA 1938.11-12.1)These sophisticated vessels, inscribed with verses inviting one to drink, echo the close connection between wine drinking and literature in upper-class social practice of the medieval Islamic period
Learn more about this artwork A Ninth-Century Miss Manners: Dining Etiquette in

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Correggio (Antonio Allegri) – Saints Peter, Martha, Mary Magdalen, and Leonard – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435992

One of Correggio’s most significant early works, this altarpiece was painted for a church in the artist’s hometown (from whence his name derives) to the east of Parma. It was commissioned by a local patron, Melchior Fassi, and hung in his chapel in the hospital church of Santa Maria Verberator, usually known as Santa Maria della Misericordia, until 1690
works by Correggio had been acquired from Armano by Marescalchi, one in the first manner

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