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English Embroidery of the Late Tudor and Stuart Eras – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/english-embroidery-of-the-late-tudor-and-stuart-eras

While this skill is traditionally associated with femininity and the education of young girls, it was in fact practiced by both men and women, children and adults, paid professionals and talented amateurs.
All manner of household furnishings were decorated with embroidery, from bed sheets

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Jan van Eyck – The Crucifixion; The Last Judgment – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436282

The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
of the cult in the 1430s in each location, and what are the differences in the manner

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Antonio Pollaiuolo – Study for the Equestrian Monument to Francesco Sforza – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/459186?exhibitionId=%7Bae20192b-5e81-4e7f-82b9-5136a6c60d78%7D&oid=459186&pkgids=447&pg=0&rpp=20&pos=5&ft=*&offset=20&locale=en

This study for the unrealized bronze equestrian monument to the Milanese duke Francesco Sforza — one of the most ambitious sculptural monuments of the Renaissance – was made by the Florentine master Antonio Pollaiuolo, probably before the celebrated commission was awarded to Leonardo da Vinci in the mid-1480s
portray the monument as a whole (encompassing both horse and rider), in a detailed manner

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European Tapestry Production and Patronage, 1600–1800 – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/european-tapestry-production-and-patronage-1600-1800

Lacking the traditions of commercial production and established markets that supported the continued growth and vitality of the Netherlandish and French industries, manufactories like the Medici, Mortlake, and Barberini workshops were dependent on the fortune of their founding patrons.
1688, woven ca. 1690–1711 The Concert from a set of Tapestries "After the Indian Manner

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Mastaba Tomb of Perneb – Old Kingdom – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/543937

The Location of Perneb’s Tomb For millennia, the vast cemetery of Saqqara (about twenty-five miles south of Cairo) was the burial ground for Memphis, ancient Egypt’s capital. In an especially crowded section, just north of the enclosure around King Djoser’s Step Pyramid at Saqqara (built during Dynasty 3, ca
In order to present the architecture of Perneb’s tomb in a manner as close as possible

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