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Anthonie van Borssom – Barnyard Scene – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435723

The first convincing argument for the attribution of this work to Van Borssom was made by Niemeijer in 1962, and the attribution was adopted by the Museum in 1990. In his approximately two dozen known paintings and in his numerous drawings, Van Borssom proves to have been an eclectic artist whose ideas came from a considerable variety of Dutch painters and draftsmen
plainly dependent upon cattle pictures by Paulus Potter (1625–1654), and his manner

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Attributed to the Berlin Painter – Terracotta amphora (jar) – Greek, Attic – Late Archaic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/254896

Said to be from Nola (Beazley 1963, p. 197, no. 3). Until 1919, private collection, UK; May 22-23, 1919, purchased by William Randolph Hearst through Sotheby, Wilkinson and Hodge, London; 1919-1951, collection of William Randolph Hearst, New York and San Simeon; 1951-1956, with the William Randolph Hearst Foundation, New York; acquired in 1956, purchased from the W
Berlin Painter 5th century BCE Terracotta lekythos (oil flask) Attributed to the manner

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Tracing the Artistic Practice of Delacroix with Devotion to Drawing Curator Ashley Dunn – The Metropolitan Museum of Art

https://www.metmuseum.org/perspectives/delacroix-devotion-to-drawing-curator-conversation-ashley-dunn

Managing Editor Michael Cirigliano II takes a walk through an exhibition of works on paper by Eugène Delacroix with Assistant Curator Ashley Dunn to discuss Delacroix’s artistic practice, as well as his love of nature and literature.
Ashley Dunn: This gallery shows the variety of manners in which he copied, and that

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Caspar David Friedrich – Two Men Contemplating the Moon – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/438417

Dr. Otto Friedrich Rosenberg, Dresden (by 1840–d. 1850; acquired from the artist in exchange for medical attention); his daughter, Theophila Minna Rosenberg, Dresden (by 1850–presumably until d. 1882); by descent through the Rosenberg family, Wuppertal-Barmen, later Hamburg, to Gottfried Spiegler, Glinde (until 1999; sale, Christie’s, London, October 7, 1999, no
(color), as "Zwei Manner in Betrachtung des Mondes" in a private collection at Wuppertal-Barmen

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