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Simon Vouet – Woman Playing a Guitar – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/747607

The Artist: Simon Vouet (see fig. 1 above) is one of a number of major artists, among whom are Jusepe de Ribera, Valentin de Boulogne, Gerrit van Honthorst, and Bartolomeo Manfredi, who worked in Rome in the immediate aftermath of Caravaggio’s death and absorbed his dramatic treatment of expressive lighting, startling naturalism, and psychologically penetrating approach to narrative subjects
In France Vouet’s “Italian� manner of lush and brilliant painting, matched

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Jean-Baptiste Greuze – Study of a Woman’s Head – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436583

Throughout the greater part of his career Greuze made what are referred to as either study heads or expressive heads, in French called têtes d’expression. He showed paintings of the kind at every biannual Salon in which he participated, that is, from 1755 through 1765 and in 1769
Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris) ca. 1760–80 Girl’s Head Manner

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Attributed to Exekias – Terracotta neck-amphora (jar) with lid and knob (27.16) – Greek, Attic – Archaic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/250551

Possibly between 1787-1790, acquired by Sir William Hamilton (British Envoy and Plenipotentiary at the court of Naples), Naples; from the late 1780’s to 1801, possibly in the collection of Sir William Hamilton; 1801-1917, vase and lid probably in the possession of the Hope Family, at Deepdene, Surrey, England (1801-1831 with Thomas Hope; 1831-1862 with Henry Thomas Hope; 1862-1877 with Mrs
joins lid of 17.230.14 ca. 540 BCE Calyx-krater, fragments Attributed to the manner

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