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Attributed to a painter of the Princeton Group – Terracotta neck-amphora (jar) – Greek, Attic – Archaic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/258464

[By 1964 and until 1973, with Herbert Cahn, Basel]; 1973, purchased by Rosemary and George Lois from Herbert Cahn; 1973-2010, collection of Rosemary and George Lois, New York; on loan to the Metropolitan Museum of Art in 1973, 1992, and 1999; acquired in 2010, purchased from Rosemary and George Lois through Bobbie Entwistle of Entwistle London
1 Terracotta column-krater (bowl for mixing wine and water) Attributed to the manner

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Andrea Briosco, called Riccio – Rothschild lamp – Italian, Padua – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/236643

Baron James Mayer de Rothschild (by 1865–d. 1868) ; his son, baron Gustave de Rothschild (until d. 1911) ; his son, baron Robert de Rothschild (d. 1946) ; by descent through the Rothschild family (until 2009) ; [ sold by private agreement through Christie’s, London ; to MMA ]
magisterial Paschal Candelabrum, Riccio yoked form, function, and imagery in a manner

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Landscape Painting in the Netherlands – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/landscape-painting-in-the-netherlands

Dutch and Flemish landscape paintings were rarely symbolic but were usually rich in associations, ranging from God and all of nature to national, regional, or local pride, agriculture and commerce, leisure time, and the sheer pleasure of physical sensation.
onward, his style evolved from fanciful Mannerist inventions to a more naturalistic manner

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The Daguerreian Era and Early American Photography on Paper, 1839–60 – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/the-daguerreian-era-and-early-american-photography-on-paper-1839-1860

The daguerreotype process, employing a polished silver-plated sheet of copper, was the dominant form of photography for the first twenty years of picture making in the United States.
stereograph, commonly known as a stereo view, is a double photograph presented in such a manner

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Jean-Baptiste Greuze – Princess Varvara Nikolaevna Gagarina (1762–1802) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436586

Varvara Nikolaevna was born on July 7, 1762. The daughter of Prince Nikolai Mikhailovich Golitsyn (1727–1787) and Princess Ekaterina Aleksandrovna Golovina (1728–1769), she married Prince Sergei Sergeyevich Gagarin (1745–1798)
Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris) ca. 1760–80 Girl’s Head Manner

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