The dining room, even in its unfinished state, was a splendid room, from which one looked out through the windows over a broad terrace to the verdant park.
: a genre scene set in the pastoral landscape of the Neapolitan Campania in the manner
Artists of the Neo-Impressionist circle renounced the random spontaneity of Impressionism in favor of a measured painting technique grounded in science and the study of optics.
His manner of weaving and layering small brushstrokes indeed achieved a tapestry-like
Curator Adela Oppenheim focuses on the architecture of The Temple of Dendur as a setting for the cultic worship of Isis.
The brothers were believed to have drowned in the Nile, a manner of death that could
The city’s architecture, which is inflected by its geographic position and by the particular conditions of a maritime environment, and the wealth and richness of its painting, sculpture, and decoration attracted ever larger numbers of visitors.
Special fairs were held to interest buyers in the books, glass, lace, and all manner
with niches containing classical statues and ceilings with stucco in the classical manner
in which mythological figures personify abstract qualities in a clear, didactic manner
The art of Iran in the nineteenth century must be understood as comprising two divergent yet intertwined trends, a push for modernity and a continuation of indigenous traditions.
type of surface ornament since the seventeenth century, remains ubiquitous on all manner
However, a crucial aspect of Rembrandt’s development was his intense study of people, objects, and their surroundings “from life.”
frequently theatrical style of the previous decade gave way to a more contemplative manner
Inscription: Upper right, in pen and brown ink: 2Lower right, in pen and brown ink: illegible figuresBottom center, in graphite: 18Verso, upper left, in graphite: 1980.515Verso, upper right, in graphite: 100
Like other Flemish artists of his generation, his graphic manner was influenced by
When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
One gains a very different impression of Backer’s manner from the tronies of old
