Jean-Baptiste Greuze – Head of an Old Woman Looking Up – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/337239
Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris) ca. 1760–80 Girl’s Head Manner
Dein Suchergebnis zum Thema: mann
The Jabach Portrait Conservation Continued: Next Steps – The Metropolitan Museum of Art https://www.metmuseum.org/perspectives/jabach-next-steps
Michael Gallagher discusses the next steps in the conservation of the Museum’s newly acquired Jabach portrait.
caused by the folding back and tacking now need to be addressed in a more considered manner
Mendicant Orders in the Medieval World – The Metropolitan Museum of Art https://www.metmuseum.org/essays/mendicant-orders-in-the-medieval-world
Their personal maxim was: sibi soli vivere sed et aliis proficere (“not to live for themselves only but to serve others”).
Christ is represented in a manner that emphasizes his bodily suffering: above his
Giambologna – Seated woman representing Astrology – Italian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/682087
perhaps Giambologna’s patron, Bernardo Vecchietti (1514–1519) ; perhaps one of the waxes purchased by William Lock , Norbury Park, Surrey, England, from a descendant of Vecchietti’s in the late 18th century; [ perhaps one of the waxes listed in Locke collection sale, Christie’s, London , April 16, 1785) ; Sir Thomas Lawrence , London (until 1830; his sale, Christie’s, London, June 19, 1830, lot 352; sold to Richard Ford); [ Colnaghi , as agent for Ford, 1830 ] ; Richard Ford (1830–d
1608 Florence) 19th century, after 16th century original Hercules and a Centaur Manner
Cuneiform Texts in The Metropolitan Museum of Art. Volume III: Private Archive Texts from the First Millennium B.C. – The Metropolitan Museum of Art https://www.metmuseum.org/met-publications/cuneiform-texts-in-the-metropolitan-museum-of-art-volume-iii-private-archive-texts-from-the-first-m
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
The four volumes in this series will make these texts available in a manner that
The Qing Dynasty (1644–1911): The Traditionalists – The Metropolitan Museum of Art https://www.metmuseum.org/essays/the-qing-dynasty-1644-1911-the-traditionalists
China’s scholarly elite was deeply influenced by the theories and art of the late Ming artist, collector, and theorist Dong Qichang.
Wang Yuanqi pursued a rigorously abstract style in the manner of Dong Qichang that
Titian (ca. 1485/90?–1576) – The Metropolitan Museum of Art https://www.metmuseum.org/essays/titian-ca-148590-1576
Titian contributed to all of the major areas of Renaissance art, painting altarpieces, portraits, mythologies, and pastoral landscapes with figures.
The two artists worked in such a similar manner that the line between them has been
Giovanni Battista Tiepolo (1696–1770) – The Metropolitan Museum of Art https://www.metmuseum.org/essays/giovanni-battista-tiepolo-1696-1770
In [Tiepolo’s] hands, the informal oil sketch was raised to a primary art form, worthy to be collected alongside his finished paintings.
painter of eighteenth-century Europe and the outstanding first master of the Grand Manner
Norman Lewis – Untitled – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/485901
Because Lewis’s strokes mass and swarm in the manner of large groups of bodies,
Art of the Roman Provinces, 1–500 A.D. – The Metropolitan Museum of Art https://www.metmuseum.org/essays/art-of-the-roman-provinces-1-500-a-d
Art demonstrates both the scope and the limits of Roman influence, for the circulation of materials, methods, objects, and art forms created a certain cultural unity, and yet in each place, the persistence of local customs ensured the survival of cultural diversity.
ways, but their output changed to serve the needs of society as it adopted Roman manners