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Humfrey Scholarly Article Italian Paintings of the Sixteenth Century: Portrait of a Man

Accession ID  2007.111.172 Not on view Download artwork Artwork Head of a Man

Looking up in amazement as Christ ascends into heaven are the twelve apostles. Kneeling with them is the Virgin, the only one to have a halo.
kneel on the ground to either side of a moss-green rock and gesture or gaze up at a man

Inside, a bearded man with a halo sits on a bench facing our right in profile as

One of the earliest Italian group portraits, this painting depicts Cardinal Bandinello Sauli and three companions gathered around a table covered with a Turkish carpet. Set within a narrow space closed off by a rich green wall hanging, the figures appear to have been discussing the geography manuscript lying open before them.
The third man, Cardinal Sauli, sits at the narrow end of the table to our left, and

paper  Accession ID  1991.190.1.b Not on view Download artwork Artwork Man

Humfrey Scholarly Article Italian Paintings of the Sixteenth Century: Portrait of a Man

Discover works by Herbert List and learn about the artist
Accession ID  2007.111.172 Not on view Download artwork Artwork Head of a Man

Saints played a very important role in the popular piety of the late Middle Ages. They were considered to be not only patrons and protectors against all manner of ills, but also mediators between the individual worshiper and God.
Visual Description Surrounded by twenty-two men, women, and winged angels, a young man

Hans Mielich was the leading painter in Bavaria in the mid-sixteenth century. His art was greatly influenced by Albrecht Altdorfer with whom he worked in Regensburg from about 1536 to 1538.
The man might Jakob Fröschl of Wasserburg.