Saint Jerome and the Angel by Simon Vouet https://www.nga.gov/artworks/46151-saint-jerome-and-angel
Visual Description Shown from the waist up, an elderly, balding, light-skinned man
Visual Description Shown from the waist up, an elderly, balding, light-skinned man
After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
Out Recenter Visual Description Shown from the chest up, a light-skinned man
wove paper; verso rubbed with red chalk covering a red chalk study of a reclining man
We don’t know their names, but they are a lovely couple. He is dignified, with watch chain, derby, and cane.
Visual Description An elegantly dressed Black man and woman stand facing and looking
Zoom In Zoom Out Recenter Visual Description Set in a landscape, a young man
Blue Morning is the last of four paintings that George Bellows executed from 1907 to 1909 depicting the construction site of the Pennsylvania Station railroad terminal in New York City. Undertaken by the Pennsylvania Railroad and designed by architectural firm McKim, Mead, &
A man sits with his back to us on the railing to our right of center.
Modal Zoom Controls Zoom In Zoom Out Recenter Visual Description A man
Description A woman leans forward to trace the shadow cast by a sleeping young man
After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
At the bottom center of the painting, the man, woman, and baby are small in scale
Closest to us but still tiny in scale, at the lower center, a man wearing a scarlet-red