Dein Suchergebnis zum Thema: man

Century · 1835 or after · oil on wood ·  Accession ID  1955.11.22 Artwork Young Man

In the Low Countries, the Feast of Epiphany, or Twelfth Night, is known as Driekoningen (Three Kings). The Christian holiday is traditionally celebrated on January 6th with a festive meal at which friends and relatives gathered to eat, drink, and be merry.
At the center of the composition, a man dressed in mustard yellow with a yellow and

Discover works by Jacques-Louis David and learn about the artist
1998.105.1.ooo Artwork Jacques-Louis David, Two Studies of the Head of a Young Man

Controls Zoom In Zoom Out Recenter Visual Description Three women, a man

Hendrick Goltzius, who was born in the Lower Rhine region of Germany, came from a long line of artists: his great-grandfather and grandfather were both painters in Venlo, and his father, Jan Goltz II (1534–after 1609), was a glass painter in Duisburg.
Selected Works See all 393 works of art Artwork Hendrick Goltzius, The Fall of Man

Commissioned for the Chapel of San José in Toledo by Martín Ramírez, a namesake of the saint and donor of the chapel, Saint Martin and the Beggar was part of one of the artist’s most successful ensembles. The saint, who lived during the reign of Constantine the Great, was a member of the imperial cavalry stationed near Amiens, in Gaul.
Zoom Controls Zoom In Zoom Out Recenter Visual Description An armored man

Rembrandt Harmensz van Rijn, born in Leiden on July 15, 1606, was the son of a miller, Harmen Gerritsz van Rijn, and his wife, Neeltgen van Zuytbrouck. The youngest son of at least ten children, Rembrandt was not expected to carry on his father’s business.
canvas ·  Accession ID  1937.1.76 Artwork Rembrandt van Rijn, Portrait of a Man

Discover works by Jean-Baptiste Greuze and learn about the artist
paper ·  Accession ID  2000.15.1 Artwork Jean-Baptiste Greuze, Bust of an Old Man

Based on its geography and on the clothes of the young man shown in the painting,

Between 1812 and 1814, while Napoleon’s armies waged war across Europe, Théodore Gericault began a series of small canvases depicting Napoleonic cavalry officers. These paintings provided Gericault with the opportunity to explore two of the subjects that he loved best:
Each man wears a red sash across his chest, cream-white gloves that reach back to