Shaw Memorial, Augustus Saint-Gaudens | National Gallery of Art https://www.nga.gov/node/856436
The man on the horse is colonel of the regiment.
The man on the horse is colonel of the regiment.
Kerry James Marshall was born in 1955 in Birmingham, Alabama. The subject matter of his paintings, installations, and public projects is drawn from African American culture and rooted in the geography of his upbringing:
Marshall American, born 1955 Displaying 1 – 12 of 15 Results Artwork Untitled (Man
Vincent van Gogh, born in 1853, grew up in the southern Netherlands, where his father was a minister. After seven years at a commercial art firm, Van Gogh’s desire to help humanity led him to become a teacher, preacher, and missionary—yet without success.
Gachet (Man with a Pipe) Dr.
(“Lord, what is man, that you take knowledge of him?
paper · Accession ID 1991.190.1.h Artwork Filippino Lippi, The "Chief Framer", Man
Controls Zoom In Zoom Out Recenter Visual Description A light-skinned man
The Saint Luke and Saint Mark panels were part of a commission from Pope Pius V in 1569 to decorate the newly built Torre Pio (Pius Tower) in the Vatican. The project, for which Vasari was knighted by the pope, was finished in two years.
Controls Zoom In Zoom Out Recenter Visual Description A pale-skinned man
Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century , pages 81-87, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-18th-century.pdf
Out Recenter Visual Description Two women reach for or touch the arm of a man
In the 19th century, families often welcomed clergy into their homes, particularly when churches could not afford to offer housing. Here, Richard Norris Brooke depicts a traditional pastoral visit.
A bespectacled, white-haired man sits to our left, wearing a black coat and suit.
Fascination with the life and times of William Shakespeare abounded in the Victorian world, especially in London, where American artist Edwin Austin Abbey settled permanently in 1883. The Bard’s writings provided lifelong inspiration for Abbey:
The man closest to us on the left is cut off by the edge of the painting.