John Singer Sargent – Study of a Young Man, Seated – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/360091
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Dein Suchergebnis zum Thema: man
Bronzino (Agnolo di Cosimo di Mariano) – Portrait of a Young Man – The Metropolitan https://www.metmuseum.org/art/collection/search/435802?exhibitionId=%7B2c98eb4f-1cd0-43dc-912e-1fd5d5ef9c00%7D&oid=435802&pkgids=689&pg=1&rpp=4&pos=1&ft=*&locale=en
This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
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Elements of an Italian Light-Cavalry Armor alla Tedesca (in the German Fashion) – Italian, Milan – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/22275?exhibitionId=%7B2bd6bac9-a0ea-4f15-8c36-180ac59e87e3%7D&oid=22275&pkgids=594&pg=1&rpp=4&pos=2&ft=*&locale=en
ES[t] (Christ the King came in peace and God was made man); on the backplate: IESVS
Art 1 of 129 Cuirass and Tassets (Torso and Hip Defense) 3 of 129 Christ as the Man
Christ Is Born as Man’s Redeemer (Episode from the Story of the Redemption of Man https://www.metmuseum.org/art/collection/search/467650
Inscription: (on banderole held by Micah): D[omi]n[u]S . egredit[ur] . de . loco . / IsAie . XXVOI / S[an]c[t]o . suo . (the Lord embarks from His holy place, [Isaiah 26:21 or Micah 1:2-3])(on frame of mirror):
Christ Is Born as Man’s Redeemer (Episode from the Story of the Redemption of Man
Collecting for the Kunstkammer – The Metropolitan Museum of Art https://www.metmuseum.org/essays/collecting-for-the-kunstkammer
contemporary knowledge, regardless of whether those objects were created by the genius of man
were naturalia (products of nature), arteficialia (or artefacta, the products of man
Game Piece with Hercules Throwing Diomedes to His Man-Eating Horses – German – The https://www.metmuseum.org/art/collection/search/463705
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Attributed to David Bailly – Portrait of a Man, Possibly a Botanist – The Metropolitan https://www.metmuseum.org/art/collection/search/435598
This impressive portrait was once ascribed to Ferdinand Bol (1616–1680), until Sturla Gudlaugsson more plausibly proposed Bailly (see Blankert 1982). It is compositionally similar to and consistent in quality and handling with two other works by Bailly: the Portrait of Anthony de Wale, Professor of Theology at the University of Leiden of 1636 (Rijksmuseum, Amsterdam) and the Portrait of an Unknown Professor or Pastor, signed and dated 1642 (Van Heeckeren van Wassenaer collection, Kasteel Twickel)
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Barth̩lemy Prieur РMan Carrying a Child on His Shoulder РFrench, probably Paris https://www.metmuseum.org/art/collection/search/195186
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Nicholas Hilliard – Portrait of a Young Man, Probably Robert Devereux (1566–1601 https://www.metmuseum.org/art/collection/search/436649
The Artist: Nicholas Hilliard, the son of Richard Hilliard, an Exeter goldsmith, made his earliest known miniatures in 1560. He served his apprenticeship as a goldsmith, beginning in 1562 with Robert Brandon, whose daughter Alice he was to marry in 1576
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Miguel Covarrubias – A Mexican street scene, a seated woman and a standing man – https://www.metmuseum.org/art/collection/search/711619
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