The first of seven paintings by Ter Borch to enter the Museum’s collection, this anonymous portrait probably dates from the late 1650s or early 1660s. The patron was presumably one of the artist’s numerous clients in and around Deventer
Scan your QR code: Gratefully built with ACNLPatternTool Portrait of a Seated Man
huntress, to live among a fleet of adoring nymphs and hounds and transform any man
Every man who thinks of raping her or sees her bathing or claims to be a superior
and masculine attributes, such as the breasts of a woman and the genitals of a man
and masculine attributes, such as the breasts of a woman and the genitals of a man
god Dionysos in his thiasoi, or revelries, including his tutor Silenus, the bald man – at the lower right, and Heracles, the bearded man at the upper left
His tutor, Silenus is the bald man at the lower right.
code: Gratefully built with ACNLPatternTool Marble stele (grave marker) of a man
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contemporary knowledge, regardless of whether those objects were created by the genius of man
were naturalia (products of nature), arteficialia (or artefacta, the products of man
baron Arthur de Schickler, Martinvast, France (by 1908–d. 1919); his daughter, comtesse Hubert de Pourtalès, Martinvast (1919; sold to Duveen); [Duveen, Paris, and Wildenstein, Paris, 1919, as by Alvise Vivarini; sold to Salomon]; William Salomon, New York (d
Scan your QR code: Gratefully built with ACNLPatternTool Portrait of a Young Man
This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
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