His abiding feeling for the land and his belief in man’s need for a direct relationship
In many ways, he remained throughout his life a nineteenth-century man, for, like
In the fifteenth century, artists took increasing inspiration from the culture of antiquity and from the natural world, and began to depict objects such as fruits, sweets, and wine vessels, as well as flora and fauna, in both devotional and secular images.
the Tree of Knowledge from which Eve ate forbidden fruit, causing the downfall of Man
South Arabian merchants utilized the Incense Route to transport not only frankincense and myrrh but also spices, gold, ivory, pearls, precious stones, and textiles—all of which arrived at the local ports from Africa, India, and the Far East.
. late 1st millennium BCE Standing bull ca. mid-1st millennium BCE Head of a man
Search art at the Metropolitan Museum.
shape of a leather wrapper China 11th to 12th century Poem of Farewell to Liu Man
1888–1957
Ten years later, Sadleir published another art-related book titled Daumier: the Man
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Reymond second quarter 19th century Ring Intaglio Roman Sardonyx cameo with a man
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century Female Figure Middle Niger civilization 9th–14th century Portrait of Man
[Atget] became obsessed with making what he modestly called “documents” of the city and its environs, and compiling a visual compendium of the architecture, landscape, and artifacts that distinguish French culture and its history.
In the 1920s, Atget was heralded by Man Ray and the Surrealists for his photographs
Search art at the Metropolitan Museum.
Italian, Siena late 15th century Book Cover Italian (Sienese) Painter The Man
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Mansions Aaron Douglas 1944 Window Shopper Aaron Douglas ca. 1930 The Junk Man
