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Reymond second quarter 19th century Ring Intaglio Roman Sardonyx cameo with a man
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Reymond second quarter 19th century Ring Intaglio Roman Sardonyx cameo with a man
1888–1957
Ten years later, Sadleir published another art-related book titled Daumier: the Man
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shape of a leather wrapper China 11th to 12th century Poem of Farewell to Liu Man
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century Female Figure Middle Niger civilization 9th–14th century Portrait of Man
In the fifteenth century, artists took increasing inspiration from the culture of antiquity and from the natural world, and began to depict objects such as fruits, sweets, and wine vessels, as well as flora and fauna, in both devotional and secular images.
the Tree of Knowledge from which Eve ate forbidden fruit, causing the downfall of Man
Mankind has used animals such as onagers (wild donkeys), horses, camels, elephants, and dogs in conflicts for thousands of years, but no other animal has been employed so widely and continuously and was at times so comprehensively protected as the horse.
Although its history and development generally paralleled that of armor for man—both
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4th century Textile Fragment 4th–5th century Man’s Coat (Choga) ca. 1803–56 Man
Bol was a highly successful artist in Amsterdam, but like several slightly later pupils and followers of Rembrandt he came from the South Holland city of Dordrecht. His teacher there is not named in documents, but Jacob Gerritsz Cuyp (1594–1651/52), father of Aelbert Cuyp (1620–1691) and the most prominent painter in Dordrecht at the time, is a likely candidate
, 1995, p. 160, as signed and dated 1642; cites it in his dismissal of "A Young Man
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Miguel Covarrubias 1936 A Mexican street scene, a seated woman and a standing man
Paris, 1883–Paris, 1956
including Cocteau’s Le Boeuf sur le toit (1920), as well as films by Henri Chomette and Man