Dein Suchergebnis zum Thema: man

Michele Giambono (Michele Giovanni Bono) – The Man of Sorrows – The Metropolitan

https://www.metmuseum.org/art/collection/search/436498

Although a virtual contemporary of Jacopo Bellini, Giambono represents the final flowering of Late Gothic painting in Venice. It was the combined presence in Venice of Michelino da Besozzo, Gentile da Fabriano, and Pisanello that provided the reference points for his refined style, with its combination of decorative richness and acute description of flora and fauna
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Goya (Francisco de Goya y Lucientes) – Garroted Man – The Metropolitan Museum of

https://www.metmuseum.org/art/collection/search/333818?exhibitionId=%7B798ad9ef-6242-4fd5-b966-89484b3bae22%7D&oid=333818&pkgids=679&pg=1&rpp=4&pos=2&ft=*&locale=en

Inscription: On verso in the upper right ‚Goya‘ in brown ink. This is not by Goya and appears to be in an early nineteenth-century hand.Marking: Collector’s mark of George William Reid (Lugt 1210) printed in violet ink on verso
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Saint Martin Brings a Dead Man to Life – Flemish – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/461385?exhibitionId=%7B399244E4-6A49-4DF0-AB4E-17CA038ABF2C%7D&oid=461385&pkgids=308&pg=1&rpp=20&pos=1&ft=*&locale=en

This roundel is a rare and splendid example of early fifteenth-century Franco-Flemish embroidery. The detailed pictorial design and luminous palette, created by colored silk and metallic threads, highlight the sophistication of this medium, which was so highly prized during this period
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Marble bust of a bearded man – Roman – Mid-Imperial, Antonine – The Metropolitan

https://www.metmuseum.org/art/collection/search/256911

Until 1977, collection of Pierre Sciclounoff (1927-1997), Geneva, Switzerland; from 1977, collection of Dr. André Lagneau, Neuchâtel, Switzerland; [until 1998, with Phoenix Ancient Art S.A., Geneva, Switzerland]; acquired in 1998, purchased from Phoenix Ancient Art S
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Gerard ter Borch the Younger – Portrait of a Seated Man – The Metropolitan Museum

https://www.metmuseum.org/art/collection/search/435715

The first of seven paintings by Ter Borch to enter the Museum’s collection, this anonymous portrait probably dates from the late 1650s or early 1660s. The patron was presumably one of the artist’s numerous clients in and around Deventer
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