Man with a hoe – China – Tang dynasty (618–907) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/56154
Crop your artwork: Scan your QR code: Gratefully built with ACNLPatternTool Man
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Although a virtual contemporary of Jacopo Bellini, Giambono represents the final flowering of Late Gothic painting in Venice. It was the combined presence in Venice of Michelino da Besozzo, Gentile da Fabriano, and Pisanello that provided the reference points for his refined style, with its combination of decorative richness and acute description of flora and fauna
Investigations: The Man of Sorrows, Part 1 0:00 RWSkip backwards ten seconds.
Christ as the Man of Sorrows Daniel Hopfer German ca. 1500 Not on view View
Inscription: On verso in the upper right ‚Goya‘ in brown ink. This is not by Goya and appears to be in an early nineteenth-century hand.Marking: Collector’s mark of George William Reid (Lugt 1210) printed in violet ink on verso
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This roundel is a rare and splendid example of early fifteenth-century Franco-Flemish embroidery. The detailed pictorial design and luminous palette, created by colored silk and metallic threads, highlight the sophistication of this medium, which was so highly prized during this period
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Until 1977, collection of Pierre Sciclounoff (1927-1997), Geneva, Switzerland; from 1977, collection of Dr. André Lagneau, Neuchâtel, Switzerland; [until 1998, with Phoenix Ancient Art S.A., Geneva, Switzerland]; acquired in 1998, purchased from Phoenix Ancient Art S
your QR code: Gratefully built with ACNLPatternTool Marble bust of a bearded man
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Portrait of a Man (Self-Portrait?)
The first of seven paintings by Ter Borch to enter the Museum’s collection, this anonymous portrait probably dates from the late 1650s or early 1660s. The patron was presumably one of the artist’s numerous clients in and around Deventer
Scan your QR code: Gratefully built with ACNLPatternTool Portrait of a Seated Man