Thomas Waterman Wood – A Bit of War History: The Recruit – American – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/13346
In The Contraband (84.12a) a self-emancipated man appears in a US Army office, eager
In The Contraband (84.12a) a self-emancipated man appears in a US Army office, eager
In The Contraband (84.12a) a self-emancipated man appears in a US Army office, eager
In The Contraband (84.12a) a self-emancipated man appears in a US Army office, eager
Inscription: Signed in pencil on the verso: „James Van Der Zee [sideways]“; artist’s printed address label, verso C: „Jas Vanderzee // 176 W. 94 Street // New York, N.Y. 10025“; stamped in ink, verso TC: „Negro Art Adv
commercial sign (referred to by Herman Melville in his 1857 novel "The Confidence Man
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The inscription reads: “Am I not a man and a brother?
Research Assistant Jeffrey Fraiman sits down with scholar James M. Saslow to discuss Michelangelo’s practice as a poet, the meaning of his gift drawings, and the study of the artist’s homoeroticism since his death in 1564.
If you disrobed in front of man who wasn’t your husband, you were no better than
Art has a unique way of bringing complicated facts to life. What can it tell us about the multiple histories of two continents over several centuries? Visit the American Wing.
corroborated by four vignettes of the story of the Virgin’s appearance to an Indigenous man
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Portrait of a Young Man, Probably Robert Devereux (1566–1601), Second Earl of Essex
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
691–693 Free with Museum admission Image Credits Marquee: Unknown Maker, Young Man
The study of material derived from ash used in the ground preparations of paintings by both Spanish and Latin American artists in the Baroque period sheds new light on the spread of artistic practices beyond Spain.
with skeletal structure, found in the ground layer of Velazquez’s Portrait of a Man