Thomas Waterman Wood – A Bit of War History: The Recruit – American – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/13346
In The Contraband (84.12a) a self-emancipated man appears in a US Army office, eager
Dein Suchergebnis zum Thema: man
Thomas Waterman Wood – A Bit of War History: The Veteran – American – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/13344
In The Contraband (84.12a) a self-emancipated man appears in a US Army office, eager
Thomas Waterman Wood – A Bit of War History: The Contraband – American – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/13345
In The Contraband (84.12a) a self-emancipated man appears in a US Army office, eager
American Wing – Primer https://www.metmuseum.org/primer/american-wing
Art has a unique way of bringing complicated facts to life. What can it tell us about the multiple histories of two continents over several centuries? Visit the American Wing.
corroborated by four vignettes of the story of the Virgin’s appearance to an Indigenous man
Results for "Moretto da Brescia (Alessandro Bonvicino)" – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search?q=Moretto+da+Brescia+%28Alessandro+Bonvicino%29&perPage=20&sortBy=Relevance&offset=0&pageSize=0
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Wilderness Moretto da Brescia (Alessandro Bonvicino) ca. 1515–20 Portrait of a Man
The Poet of the Information Desk – The Metropolitan Museum of Art https://www.metmuseum.org/perspectives/robyn-schiff
Robyn Schiff returns to The Met to read from her poem, Information Desk: An Epic in which she recounts what it was like to work at the Museum while establishing herself as a young writer.
27 BCE–68 CE Self-Portrait Rembrandt (Rembrandt van Rijn) 1660 Portrait of a Man
The Roof Garden Commission: Pierre Huyghe | The Metropolitan Museum of Art https://www.metmuseum.org/exhibitions/listings/2015/pierre-huyghe
This spring Pierre Huyghe (born 1962, Paris) has installed the third in a new series of site-specific commissions for the Museum’s Iris and B. Gerald Cantor Roof Garden. His project explores the transformation of cultural and biological systems through a dynamic gathering of components derived from the Museum’s collection, architecture, and surroundings.
which portrays a mysterious creature’s resilience in the aftermath of natural and man-made
Plant Ash in Ground Preparations – The Metropolitan Museum of Art https://www.metmuseum.org/essays/plant-ash-in-ground-preparations
The study of material derived from ash used in the ground preparations of paintings by both Spanish and Latin American artists in the Baroque period sheds new light on the spread of artistic practices beyond Spain.
with skeletal structure, found in the ground layer of Velazquez’s Portrait of a Man
Search The Collection – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search?artist=Hilliard%2C+Nicholas%24Nicholas+Hilliard
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Portrait of a Young Man, Probably Robert Devereux (1566–1601), Second Earl of Essex
Furniture plaque carved in high relief with two Egyptianizing figures flanking a volute tree – Assyrian – Neo-Assyrian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/325564
1962, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1962, as a result of its financial contribution to the excavations
Each man holds a ram-headed scepter in his right hand while the figure at left holds