Silenus, the Tutor of Dionysos – Byzantine – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/473301
century On view at The Met Fifth Avenue in Gallery 302 The bearded, balding man
century On view at The Met Fifth Avenue in Gallery 302 The bearded, balding man
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
contemporary knowledge, regardless of whether those objects were created by the genius of man
[Marcel Duchamp’s] most striking, iconoclastic gesture, the readymade, is arguably the century’s most influential development on artists’ creative process.
Here, This Is Stieglitz Here Francis Picabia 1915 Dust Breeding Man Ray 1920
Leonardo’s curiosity and insatiable hunger for knowledge never left him. He was constantly observing, experimenting, and inventing, and drawing was, for him, a tool for recording his investigation of nature.
Design for a Stage Setting (verso) Leonardo da Vinci 1496 The Head of a Grotesque Man
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Rembrandt, Man with a Magnifying Glass 5245.
Art has a unique way of bringing complicated facts to life. What can it tell us about the multiple histories of two continents over several centuries? Visit the American Wing.
corroborated by four vignettes of the story of the Virgin’s appearance to an Indigenous man
Thematically, the man roasting a duck at the far right of the register above should
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
2700–2500 BCE Marble seated harp player Cycladic 2800–2700 BCE Bronze man
This exhibition, on view April 29 through September 6, 2004, explores French dress and its aesthetic interplay with art, furniture, and the broader decorative arts between 1750 and 1789, revealing their role as instruments of seduction and erotic play.
intent, are presented as the favored modes of beguilement of the eighteenth-century man
The study of material derived from ash used in the ground preparations of paintings by both Spanish and Latin American artists in the Baroque period sheds new light on the spread of artistic practices beyond Spain.
with skeletal structure, found in the ground layer of Velazquez’s Portrait of a Man