By 1 A.D., Rome was transformed from a city of modest brick and local stone into a metropolis of marble.
Marble statue of a draped seated man Zeuxis 1st century BCE Head of Augustus
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Rembrandt, Man with a Magnifying Glass 5245.
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Haase 1860s Portrait of a Man, Possibly a Self-Portrait Velázquez (Diego Rodríguez
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Wilderness Moretto da Brescia (Alessandro Bonvicino) ca. 1515–20 Portrait of a Man
Thematically, the man roasting a duck at the far right of the register above should
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
2700–2500 BCE Marble seated harp player Cycladic 2800–2700 BCE Bronze man
[Marcel Duchamp’s] most striking, iconoclastic gesture, the readymade, is arguably the century’s most influential development on artists’ creative process.
Here, This Is Stieglitz Here Francis Picabia 1915 Dust Breeding Man Ray 1920
Leonardo’s curiosity and insatiable hunger for knowledge never left him. He was constantly observing, experimenting, and inventing, and drawing was, for him, a tool for recording his investigation of nature.
Design for a Stage Setting (verso) Leonardo da Vinci 1496 The Head of a Grotesque Man
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Rembrandt, Man with a Magnifying Glass 5245.
This exhibition, on view April 29 through September 6, 2004, explores French dress and its aesthetic interplay with art, furniture, and the broader decorative arts between 1750 and 1789, revealing their role as instruments of seduction and erotic play.
intent, are presented as the favored modes of beguilement of the eighteenth-century man
