London, 1911–London, 1984
winter 1906–7 Trees at L’Estaque Georges Braque L’Estaque, summer 1908 Head of a Man
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Christ Is Born as Man’s Redeemer (Episode from the Story of the Redemption of Man
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Seated satyr with an inkwell and a candlestick Northern Italian ca. 1530–40 Wild Man
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1860s A Print Sale – A Night Auction Thomas Rowlandson 1788 Bust of Bearded Man
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Interior of Box Harry Burton 1926–30 Rovine del Foro Eugène Constant 1848–52 [Man
As the number of new illustrated magazines increased, competition among publications grew keener and editors began to experiment with more dynamic designs and page layouts.
Man 1931 Der Fotograf Willi Ruge 1931 Liberia Martin Munkácsi 1931 Der Sinn
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Artist/Maker (z-a) Accession Number (0-9) Accession Number (9-0) Skeletal Bird Man
The paintings by Bisschop that are most comparable in style to this undated work are from the late 1650s and the 1660s; they include the signed Old Woman Seated in Thought (Spencer collection, Althorp), dated 165[?], Joseph and Potiphar’s Wife (Kunstmuseum, Düsseldorf), formerly said to be signed and dated 1664, and the large Self-Portrait of 1668 (Dordrechts Museum)
To judge from the last work, the young man in The Met’s canvas strongly resembles
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Fromery ca. 1730 Snuffbox Meissen Manufactory ca. 1730–35 Portrait of a Young Man
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Supper, after Leonardo da Vinci Rembrandt (Rembrandt van Rijn) 1634–35 Bust of a Man
