Florentine color was frequently more vivid than the palette used in Venetian paintings; typically Venetian, however, was the process of layering and blending colors to achieve a glowing richness.
Crucifixion Francesco Granacci (Francesco di Andrea di Marco) ca. 1510 Portrait of a Man
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
image of Christ Crowned with Thorns on the reverse, is joined by the Portrait of a Man
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Standing Savoyarde with a Marmot Box Antoine Watteau ca. 1715 Study of a Nude Man
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depicting a nude man (god?) in relief 6th–7th century A.D.
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from across the Huéca Samuel Chatwood Burton early 20th century Portrait of a Man
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Statuette of a man, grotesque Greek, Asia Minor 2nd century BCE Statuette of a
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Statuette of a man, grotesque Greek, Asia Minor 2nd century BCE Limestone inscribed
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(‚Paul Pry‘) May 29, 1815 Descent from the Cross Jean Goujon ca. 1555 The Man
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depicting a nude man (god?) in relief 6th–7th century A.D.
