Inscription: Inscribed in pencil on print, verso, center: „Eugène Pelletan // litterateur // deputé // pere de Camille“; bottom right corner: „Chic 101 // Neg. B.20“; inscribed in pencil on mount, recto, bottom right: „Pelletan
before he took this photograph, Nadar wrote a thumbnail biography of the combative man
Florentine color was frequently more vivid than the palette used in Venetian paintings; typically Venetian, however, was the process of layering and blending colors to achieve a glowing richness.
Crucifixion Francesco Granacci (Francesco di Andrea di Marco) ca. 1510 Portrait of a Man
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
image of Christ Crowned with Thorns on the reverse, is joined by the Portrait of a Man
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Standing Savoyarde with a Marmot Box Antoine Watteau ca. 1715 Study of a Nude Man
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composer Ludwig van Beethoven’s world and continue to inform our approach to the man
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Japan 1680–90s Terracotta plate Epiktetos ca. 520–510 BCE Dish (piatto): Man
Despite his unconventional training, Watteau was permitted to compete for the Prix de Rome at the Royal Academy of Painting and Sculpture.
Domenico Campagnola Antoine Watteau Domenico Campagnola ca. 1715 Study of a Nude Man
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Edouard Lièvre 1880–83 Ink Handscroll Liu Dan 1990 Bust-Length Study of a Man
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(9-0) Panel with Peonies and Butterfly China late 14th–15th century [Young Man
Search art at the Metropolitan Museum.
from across the Huéca Samuel Chatwood Burton early 20th century Portrait of a Man
