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M. / L.

Madame Vigée Le Brun was part of the world she painted and, like her aristocratic patrons, was under threat of the guillotine after the revolution. She was forced to flee Paris in disguise in 1789.
Ed. by M. Deloynes. Paris, 1881: vol. 15. 1908 Nolhac, Pierre de.

„Lettres inédites de Ingres à son ami M. Marcotte.“

We see the city of Paris from the banks of the Seine River as night begins to fall. The buildings in the distance are hazy.
Institute of Arts; High Museum of Art, Atlanta; Fine Arts Museums of San Francisco, M.

Thibaudeau, Adolphe-Narcisse Light, Robert M., Mr.

been cut down very slightly at the bottom edge. [12] Paul Mantz, “La Galerie de M.

In this panel Bosch shows us the last moments in the life of a miser, just before his eternal fate is decided. A little monster peeping out from under the bed–curtains tempts the miser with a bag of gold, while an angel kneeling at the right encourages him to acknowledge the crucifix in the window.
An Exhibition Organized by the Belgian Government, M.

been cut down very slightly at the bottom edge. [12] Paul Mantz, “La Galerie de M.

Pisanello, who was a painter as well as a medalist, is generally credited with having invented the Renaissance medal form, as well as having brought it to its highest potential. He made several medals of the Marquess of Ferrara, this one being for the occasion of Leonello’s marriage to Maria of Aragon in 1444.
„La collection de M. Gustave Dreyfus, V: Les plaquettes.“

There is little doubt that these two portraits by Rembrandt van Rijn (see also NGA 1942.9.67) were conceived as pendants, or companion pieces. In both, light illuminates the subjects from exactly the same angle.
Elkins Park, Pennsylvania, 1931: 76-77, repro. 1932 Hind, Arthur M.