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Terms and Conditions/ Terms of Use – The Metropolitan Museum of Art

https://www.metmuseum.org/policies/terms-and-conditions

The Metropolitan Museum of Art (the „Museum“) provides www.metmuseum.org and its subdomains („Websites“) in support of the Museum’s mission to collect, preserve, study, exhibit, and stimulate appreciation for and advance knowledge of works of art. By accessing the Websites, users agree to be bound by these terms and conditions, which the Museum may revise at any time.
displayed on the Websites, including THE METROPOLITAN MUSEUM OF ART, MMA, „THE MET“ LOGO

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Panel with Byzantine Ivory Carving of the Crucifixion – Byzantine (ivory); Spanish (setting) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/464015

From the Benedictine convent of Santa Cruz de la Serós, Jaca; Charles Stein(?), Paris; Sir Thomas Gibson Carmichael, Bart., Castle Craig(sold 1902); Carmichael sale, Christie, Manson & Woods, London(May 12–13, 1902, no
Exposición Histórico-Europea, 1892 à 1893: Catálogo General.

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Tughra (Insignia) of Sultan Süleiman the Magnificent (r. 1520–66) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/449533

Tughra of Sultan Süleyman the MagnificentThe Ottoman Turkish sultans controlled one of the most efficient, well-organized, and effective governmental bureaucracies of early modern times; at the apex of this governmental structure was the Ottoman Imperial Chancery, which created, copied, and recorded all official governmental orders or decrees, known as firman, as well as treaties and official correspondence
calligraphic tughras, or imperial signatures, as a precursor to the modern-day logo

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Arts of the Ancient Americas – The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/arts-of-the-ancient-americas/dentro-de-la-exposicion

Following a multiyear renovation, the new installation reintroduces visitors to the Museum’s collection of ancestral arts of the Americas, representing the artistic legacy of Indigenous artists from across North, Central, and South America and the Caribbean prior to 1600 CE.
Basta con ingresar en la búsqueda el número de catálogo correspondiente.

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Exhibition Galleries | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2020/making-the-met-1870-to-2020/exhibition-galleries

In a flush of optimism following the Civil War, a group of businessmen, civic leaders, and artists determined to found an art museum in New York City. They took the first concrete step toward this goal on April Making We Scheduled The In These Above
Frank Stella designed a logo; Robert Rauschenberg created a print (on view nearby

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Workshop of Robert Campin – Annunciation Triptych (Merode Altarpiece) – Netherlandish – The Metropolitan Museum of Art

https://www.metmuseum.org/Collections/search-the-collections/470304

Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Museo del Prado: Catálogo. Madrid: Museo del Prado, 1933. pp. 388–89.

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Workshop of Robert Campin – Annunciation Triptych (Merode Altarpiece) – Netherlandish – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/470304

Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Museo del Prado: Catálogo. Madrid: Museo del Prado, 1933. pp. 388–89.

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