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The Metropolitan Museum of Art (the „Museum“) provides www.metmuseum.org and its subdomains („Websites“) in support of the Museum’s mission to collect, preserve, study, exhibit, and stimulate appreciation for and advance knowledge of works of art. By accessing the Websites, users agree to be bound by these terms and conditions, which the Museum may revise at any time.
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Tughra (Insignia) of Sultan Süleiman the Magnificent (r. 1520–66) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/449533

Tughra of Sultan Süleyman the MagnificentThe Ottoman Turkish sultans controlled one of the most efficient, well-organized, and effective governmental bureaucracies of early modern times; at the apex of this governmental structure was the Ottoman Imperial Chancery, which created, copied, and recorded all official governmental orders or decrees, known as firman, as well as treaties and official correspondence
(b/w). Grube, Ernst J. "The Ottoman Empire."

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Fender – "The Hoss" Telecaster (serial no. 026176) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/814630?exhibitionId=%7Bd4024ef6-623f-4770-a626-a38b90c25b64%7D&oid=814630&pkgids=569&pg=1&rpp=4&pos=4&ft=*&locale=en

The Metropolitan Museum of Art. „Play It Loud: Instruments of Rock & Roll,“ Apr-01-2019-Oct-01-2019.Rock and Roll Hall of Fame and Museum. „Play It Loud: Instruments of Rock & Roll,“ Nov-20-2019-Sep-13-2020
scale; red finish; bolt-on neck with clay dot inlays; gold “spaghetti� Fender logo

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Panel with Byzantine Ivory Carving of the Crucifixion – Byzantine (ivory); Spanish (setting) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/464015

From the Benedictine convent of Santa Cruz de la Serós, Jaca; Charles Stein(?), Paris; Sir Thomas Gibson Carmichael, Bart., Castle Craig(sold 1902); Carmichael sale, Christie, Manson & Woods, London(May 12–13, 1902, no
Carmichael sale, Christie, Manson & Woods, London(May 12–13, 1902, no. 36); [ Georges B.

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Workshop of Robert Campin – Annunciation Triptych (Merode Altarpiece) – Netherlandish – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/470304

Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Museo del Prado: Catálogo. Madrid: Museo del Prado, 1933. pp. 388–89.

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Workshop of Robert Campin – Annunciation Triptych (Merode Altarpiece) – Netherlandish – The Metropolitan Museum of Art

https://www.metmuseum.org/Collections/search-the-collections/470304

Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Museo del Prado: Catálogo. Madrid: Museo del Prado, 1933. pp. 388–89.

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Velázquez (Diego Rodríguez de Silva y Velázquez) – Juan de Pareja (ca. 1608–1670) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437869

The Background: Between 1649 and 1651, Velázquez travelled to Italy for the second and last time in his life. The main purpose of the trip was to buy paintings and sculptures for King Philip IV of Spain, and while he was in Rome, the painter also received the prestigious commission to portray Pope Innocent X (the canvas is now in the Galleria Doria Pamphilj, Rome)
B. Ponfredi sobre la pintura española].

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