Burn for Love by Renée Stout, Hand Print Workshop International https://www.nga.gov/artworks/172441-burn-love
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The Bicycle Race by Lyonel Feininger https://www.nga.gov/artworks/66415-bicycle-race
On View East Building Mezzanine, Gallery 217-B Order reproductions from the Gallery
Saint Martin and the Beggar by El Greco https://www.nga.gov/artworks/1164-saint-martin-and-beggar
Commissioned for the Chapel of San José in Toledo by MartÃn RamÃrez, a namesake of the saint and donor of the chapel, Saint Martin and the Beggar was part of one of the artist’s most successful ensembles. The saint, who lived during the reign of Constantine the Great, was a member of the imperial cavalry stationed near Amiens, in Gaul.
B. Widener [1834-1915], Elkins Park, PA;[1] inheritance from Estate of Peter A.
Pope Innocent X by Anonymous Artist https://www.nga.gov/artworks/87-pope-innocent-x
London, 1855: 248 (also French ed. 1865: 286, no. 194). 1883 Curtis, Charles B.
Laocoön by El Greco https://www.nga.gov/artworks/33253-laocoon
During the Trojan War, the priest Laocoön angered the Greek gods, who sent snakes to kill him and his two sons. The legend became popular after a monumental, ancient marble sculpture of Laocoön and his sons was unearthed in Rome in 1506.
K1413; William B.
Uncovering America: Activism and Protest | National Gallery of Art https://www.nga.gov/educational-resources/uncovering-america/uncovering-america-activism-and-protest
Artists in the United States are protected under the First Amendment, which guarantees freedoms of speech and press. This module features works created by artists with a range of perspectives and motivations.
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The Marquesa de Pontejos by Francisco Goya https://www.nga.gov/artworks/92-marquesa-de-pontejos
Trees, grass, and shrubbery, simplified almost to abstraction, set off the fragile, wasp–waisted figure of MarÃa Ana de Pontejos y Sandoval, the Marquesa de Pontejos. Splendidly attired, she typifies those ladies of the Spanish aristocracy who affected the „shepherdess“ style of Marie Antoinette, so popular in pre–revolutionary France.
La pintura española fuera de España; historia y catà logo.
Christ Cleansing the Temple by El Greco https://www.nga.gov/artworks/43723-christ-cleansing-temple
In this tempestuous scene, El Greco depicted an angry Christ driving the moneychangers from the Temple. An uncommon theme, it became increasingly popular in the latter half of the sixteenth century, promoted by the Council of Trent as a symbol of the Catholic church’s attempt to purify itself after the Protestant Reformation.
Leipzig, 1907-1950: 33(1939):5. 1908 CossÃo, Manuel B. El Greco.
Highlights of the National Gallery of Art’s History | National Gallery of Art https://www.nga.gov/research/national-gallery-art-archives/highlights-history
B. Widener. US servicemen in the Founders Room, c. 1942.
Italian Paintings of the Thirteenth and Fourteenth Centuries: Madonna and Child Enthroned with Twelve Angels, and with the Blessing Christ [middle panel], shortly before 1387 | National Gallery of Art https://www.nga.gov/research/publications/italian-paintings-thirteenth-and-fourteenth-centuries-0/italian-paintings-thirteenth-and-fourteenth-centuries-madonna-and-child-enthroned-twelve-angels-and
Mellon Collection, 1937.1.4.b Entry This panel is the central part of a triptych