Chanel succeeded in packaging and marketing her own personal attitudes and style, making her a key arbiter of women’s taste throughout the twentieth century.
followed her favorite color palette, shades of beige, black, and white ( 1978.165.16a,b)
Berry used this instrument to perform his hits, including “Johnny B.
Tughra of Sultan Süleyman the MagnificentThe Ottoman Turkish sultans controlled one of the most efficient, well-organized, and effective governmental bureaucracies of early modern times; at the apex of this governmental structure was the Ottoman Imperial Chancery, which created, copied, and recorded all official governmental orders or decrees, known as firman, as well as treaties and official correspondence
New York: The Metropolitan Museum of Art, 1944. p. 78, ill. fig. 45 (b/w).
The Metropolitan Museum of Art (the „Museum“) provides www.metmuseum.org and its subdomains („Websites“) in support of the Museum’s mission to collect, preserve, study, exhibit, and stimulate appreciation for and advance knowledge of works of art. By accessing the Websites, users agree to be bound by these terms and conditions, which the Museum may revise at any time.
displayed on the Websites, including THE METROPOLITAN MUSEUM OF ART, MMA, "THE MET" LOGO
Forsyth, William H., and Margaret B. Freeman.
The Metropolitan Museum of Art. „Play It Loud: Instruments of Rock & Roll,“ Apr-01-2019-Oct-01-2019.Rock and Roll Hall of Fame and Museum. „Play It Loud: Instruments of Rock & Roll,“ Nov-20-2019-Sep-13-2020
scale; red finish; bolt-on neck with clay dot inlays; gold “spaghetti� Fender logo
Mann, Vivian B., Jerrilynn D. Dodds, and T. F. Glick, ed.
From the Benedictine convent of Santa Cruz de la Serós, Jaca; Charles Stein(?), Paris; Sir Thomas Gibson Carmichael, Bart., Castle Craig(sold 1902); Carmichael sale, Christie, Manson & Woods, London(May 12–13, 1902, no
Carmichael sale, Christie, Manson & Woods, London(May 12–13, 1902, no. 36); [ Georges B.
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Museo del Prado: Catálogo. Madrid: Museo del Prado, 1933. pp. 388–89.
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Museo del Prado: Catálogo. Madrid: Museo del Prado, 1933. pp. 388–89.
