Corbett vs. Dempsey Gallery | National Gallery of Art https://www.nga.gov/artworks/provenance/46870-corbett-vs-dempsey-gallery
lithograph in red and gray on wove paper · Accession ID 2015.115.9 Artwork Linda Kramer
Meintest du krater?
lithograph in red and gray on wove paper · Accession ID 2015.115.9 Artwork Linda Kramer
How an American painting showing the impact of industry on the land resonates with young visitors today.
Today’s Students See the Stumps On a recent Thursday afternoon docent Christie Kramer
In 1909, Hamilton Easter Field, a Brooklyn painter and critic, asked Picasso to create a group of eleven paintings as a decoration for his library. Picasso accepted but, although he worked on the commission intermittently over the next several years, he never completed all eleven of the panels.
National Gallery of Art, Washington, 1985: 310, repro. 1989 Kramer, Hilton.
National Gallery of Art, Washington, D.C., 1988: 188, no. 71, color repro. 1989 Kramer
Art in America 4 (July-August 1978): 63, repro. 1989 Kramer, Hilton.
Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century, pages 76-81, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-18th-century.pdf
Kramer, Hilton. "Copley’s Decline."
This could be a scene from a children’s book, but the story is a strange one. At first glance, everything looks ordinary.
Bibliography 1989 Kramer, Hilton. "Modern Art at the National Gallery."
The basic fascination with capturing and studying images of ourselves and of others—for what they say about us, as individuals and as a people—is what makes portraiture so compelling.
The critic Hilton Kramer reviewed an exhibition of Rogovin’s photography, saying
William Beckford. 1975 Kraemer, Ruth.
Seventeen years after Benjamin West settled in England, a London newspaper’s review of the 1780 Royal Academy exhibition stated that The Battle of La Hogue „exceeds all that ever came from Mr. West’s pencil.“ In 1692, Louis XIV of France had mounted an ill-fated attempt to return James II, a fellow Catholic, to the throne of England.
National Gallery of Art, Washington, 1970: 120, repro. 1975 Kraemer, Ruth S.