Leadership | National Gallery of Art https://www.nga.gov/about-us/leadership
Executive Officer, Programs, Exhibitions, and Audience Engagement: Kate Haw Kate
Dein Suchergebnis zum Thema: kater
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Johann Liss | National Gallery of Art https://www.nga.gov/artists/1501-johann-liss
Discover works by Johann Liss and learn about the artist
Fragonard, The Vision of Saint Jerome, 1763/1764, etching on laid paper, Gift of Kate
The Vest of August the Strong by Adolph Menzel https://www.nga.gov/artworks/139101-vest-august-strong
; verso at upper left in graphite: 1653.55; at upper right: V; at lower center: Kat
Love the Sentinel by Jean Honoré Fragonard https://www.nga.gov/artworks/33746-love-sentinel
G12 Artwork overview Medium oil on canvas Credit Line In memory of Kate
Orange and Tan by Mark Rothko https://www.nga.gov/artworks/56350-orange-and-tan
Accession Number 1977.47.13 Copyright Copyright © 1998 Kate Rothko Prizel
Untitled by Mark Rothko https://www.nga.gov/artworks/67493-untitled
Accession Number 1986.43.135 Copyright Copyright © 1998 Kate Rothko Prizel
Voyager by Kerry James Marshall https://www.nga.gov/artworks/159651-voyager
Art for the Nation no. 65 (Spring 2022): 8, Fig. 8. 2024 Haw, Kate, Charles Brock
Raymond Jonson | National Gallery of Art https://www.nga.gov/artists/6610-raymond-jonson
Carl Raymond Johnson (later known as just Raymond Jonson) was born on July 18, 1891, in Chariton, Iowa. Jonson’s parents were immigrants from Sweden.
established Museum Art School of the Portland Art Association, where he studied with Kate
Great America by Kerry James Marshall https://www.nga.gov/artworks/154931-great-america
Great America (1994) by Kerry James Marshall is the Gallery’s first painting by this major midcareer artist. A devoted student of the human figure and the history of art, Marshall draws upon the experience of African Americans to create imposing, contemporary history paintings.
National Gallery of Art Bulletin 48 (Spring 2013): 32-33, repro. 2024 Haw, Kate,
Untitled by Mark Rothko https://www.nga.gov/artworks/67496-untitled
Mark Rothko did not want to explain what his works mean, and he often chose to leave them untitled. He preferred to use color and composition not for their own sake but to convey profound states of human existence.
Accession Number 1986.43.138 Copyright Copyright © 1998 Kate Rothko Prizel