Conservators, scientists, and curators tell the story behind the unprecedented conservation of Tullio Lombardo’s Adam.
Credits Producer & Editor: Maureen Coyle Camera Operators: Maureen Coyle, Kate
Meryl Cates, coordinator of marketing for Met Museum Presents, highlights The Temple of Dendur’s relocation from Egypt to the Met, and how the beloved artifact inspired the upcoming opera production, I Was Here I Was I.
©The Metropolitan Museum of Art «When Kate Soper’s adventurous score for I Was
Glenn Adamson, Dakin Hart, and Kate Wiener.
1977.394.59b Djibrella Maiga, until 1973; Lester Wunderman, New York, 1973–1977 Ezra, Kate
Hansen, Donald, Kate C. Lefferts, and S.M. Alexander. 1970.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
African Art from the Paul and Ruth Tishman Collection Vogel, Susan, ed., with Kate
Sarah Scaturro, conservator in The Met’s Costume Institute, offers a close look at two Iris Van Herpen dresses.
Credits Director: Kate Farrell Producer: Sarah Cowan Editor: Sarah Cowan Cameras:
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
The Metropolitan Museum of Art, introductions by Douglas Newton, Julie Jones, and Kate
Newton, Douglas, Julie Jones, and Kate Ezra.
Join Akili Tommasino, Curator in the Department of Modern and Contemporary Art, artist Julie Mehretu, and artist Fred Wilson, for a virtual tour of Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now
Production credits: Managing Producers: Kate Farrell Senior Producer: Melissa Bell
