The 18th century’s sentimental fondness for nature, influenced by the writings of Jean-Jacques Rousseau, is alluded to here in the park-like setting, the roses arranged in the marquesa’s gown, and the carnation that she holds with self-conscious elegance. Framing her artfully arranged hairstyle, the broad-brimmed hat bespeaks high fashion, perhaps imported from England. While the painting’s pale tones reflect the last stages of the rococo in Spanish art, the overall silvery gray-green tonality is equally reminiscent of the earlier Spanish master Diego Velázquez, whose paintings Francisco de Goya had studied and copied.
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