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Emaciated Horse and Rider – The Metropolitan Museum of Art

https://www.metmuseum.org/collection/the-collection-online/search/450538

Rider on a NagA number of drawings from the Deccani kingdoms that incorporate marbling are known. A whole group of them illustrate nags; among the Sufis, nags are thought metaphorically to embody the body’s gross desires and therefore are properly shown starved and beaten
. 1625 Not on view Mystical interpretations about the yearnings of the soul have

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Francesco Francia – Federico Gonzaga (1500–1540) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436333

decision to part with this painting is nonetheless surprising, even if it does seem to have – her desire to establish a relationship with a fellow collector from whom she may have – "[6] Federico would also have his portrait painted by Titian (ca. 1485/90?
her desire to establish a relationship with a fellow collector from whom she may have

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Tibetan Arms and Armor – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/tibetan-arms-and-armor

Historical [Tibetan] armor and weapons were preserved due to the long-standing tradition of placing votive arms in monasteries and temples, where they are kept in special chapels, known as gonkhang (mgon khang), and dedicated to the service of guardian deities.
A warrior wearing armor of this type would have also carried a cane shield reinforced

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Celebrating Three Years of Open Access at The Met – The Metropolitan Museum of Art

https://www.metmuseum.org/perspectives/met-api-third-anniversary

This February marks the third anniversary of the Met’s Open Access program. As we cross this important milestone, we’d like to reflect on some of the goals we’ve already been able to achieve with Open Access, and share our vision for the program’s future.
A diverse range of users have employed the data for a variety of purposes; creators

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