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Privacy Policy – The Metropolitan Museum of Art

https://www.metmuseum.org/policies/privacy-policy

The Metropolitan Museum of Art is committed to protecting the privacy of our visitors. This privacy policy governs the way we collect and use information both online and offline, including at www.metmuseum.org and its subdomains, including websites accessed through your mobile devices as well as downloadable mobile applications („Websites“).
relating to other people to us in connection with the Services, you represent that you have

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Plate with a hunting scene from the tale of Bahram Gur and Azadeh – Sasanian – Sasanian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/327497

[Before 1963, with Ayoub Rabenou]; from 1963, on loan by The Guennol Collection (Alastair Bradley Martin’s collection) to the Museum (L.63.10.2); until 1994, Alastair Bradley Martin’s family; acquired by the Museum in 1994, purchased from The Merrin Gallery, New York
The story seems to have been popular for centuries—both in Sasanian times and under

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Jean-Baptiste Greuze – Study of a Woman’s Head – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436583

Throughout the greater part of his career Greuze made what are referred to as either study heads or expressive heads, in French called têtes d’expression. He showed paintings of the kind at every biannual Salon in which he participated, that is, from 1755 through 1765 and in 1769
On view at The Met Fifth Avenue in Gallery 639 Greuze’s contemporaries would have

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Rococo Revival Parlor | The Metropolitan Museum of Art

https://www.metmuseum.org/about-the-met/collection-areas/the-american-wing/period-rooms/rococo-revival-parlor

The Richard and Gloria Manney John Henry Belter Rococo Revival Parlor presents a sumptuous mid-nineteenth-century parlor characteristic of affluent homes in the United States. It features furniture by one of the most innovative and virtuosic American cabinetmakers of the period in a room whose architectural elements are from the double parlor of a Classical Revival style villa built around 1850 in Astoria, Queens, for a prosperous businessman named Horace Whittemore (1813–1871).
elaborately carved furniture represents the height of fashionability and would have

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