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Antonio Pollaiuolo – Study for the Equestrian Monument to Francesco Sforza – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/459186?exhibitionId=%7Bae20192b-5e81-4e7f-82b9-5136a6c60d78%7D&oid=459186&pkgids=447&pg=0&rpp=20&pos=5&ft=*&offset=20&locale=en

This study for the unrealized bronze equestrian monument to the Milanese duke Francesco Sforza — one of the most ambitious sculptural monuments of the Renaissance – was made by the Florentine master Antonio Pollaiuolo, probably before the celebrated commission was awarded to Leonardo da Vinci in the mid-1480s
The sixteenth-century historian Giorgio Vasari, who owned the sheet and may have

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Rococo Revival Parlor | The Metropolitan Museum of Art

https://www.metmuseum.org/about-the-met/collection-areas/the-american-wing/period-rooms/rococo-revival-parlor

The Richard and Gloria Manney John Henry Belter Rococo Revival Parlor presents a sumptuous mid-nineteenth-century parlor characteristic of affluent homes in the United States. It features furniture by one of the most innovative and virtuosic American cabinetmakers of the period in a room whose architectural elements are from the double parlor of a Classical Revival style villa built around 1850 in Astoria, Queens, for a prosperous businessman named Horace Whittemore (1813–1871).
elaborately carved furniture represents the height of fashionability and would have

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Emaciated Horse and Rider – The Metropolitan Museum of Art

https://www.metmuseum.org/collection/the-collection-online/search/450538

Rider on a NagA number of drawings from the Deccani kingdoms that incorporate marbling are known. A whole group of them illustrate nags; among the Sufis, nags are thought metaphorically to embody the body’s gross desires and therefore are properly shown starved and beaten
. 1625 Not on view Mystical interpretations about the yearnings of the soul have

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Case attributed to André Charles Boulle – Clock with pedestal – French, Paris – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/202114

Signature: Engraved on dial in script: J. Thuret; Engraved on brass backing of movement in script: J. Thuret AParisInscription: Inlaid on door of pedestal: TOVRMENT PLVVIEVX CHANGEANT BEAVTEMP TRESSEC; Modern sticker on back of pedestal: 3438
It appears to have been very similar to the Museum’s clock and gives a good indication

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