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Peter Paul Rubens (1577–1640) and Anthony van Dyck (1599–1641): Works on Paper – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/peter-paul-rubens-1577-1640-and-anthony-van-dyck-1599-1641-works-on-paper

Rubens and van Dyck are among the finest draftsmen of all times. The works they left behind probably count, respectively, some 700 and 200 sheets.
Because of their minor importance in studio terms, relatively few of these sketches have

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Saint Martin Brings a Dead Man to Life – Flemish – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/461385?exhibitionId=%7B399244E4-6A49-4DF0-AB4E-17CA038ABF2C%7D&oid=461385&pkgids=308&pg=1&rpp=20&pos=1&ft=*&locale=en

This roundel is a rare and splendid example of early fifteenth-century Franco-Flemish embroidery. The detailed pictorial design and luminous palette, created by colored silk and metallic threads, highlight the sophistication of this medium, which was so highly prized during this period
panels are now dispersed among public and private collections), the embroideries may have

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Egypt in the Old Kingdom (ca. 2649–2130 B.C.) – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/egypt-in-the-old-kingdom-ca-2649-2150-b-c

While the origin of many concepts, practices, and monuments can be traced to earlier periods, it was during the Old Kingdom that they developed into the forms that would characterize and influence the rest of pharaonic history.
(ca. 2490–2472 B.C.), who built the other two pyramids at Giza, there seems to have

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