The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
reappearance of the magnificent hidden treasures from Afghanistan and their exhibition— have
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
The first two installations will address overarching themes that have inspired artists
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
The thirty-seven individual works have been known to scholars and connoisseurs for
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
They have exerted a formidable positive influence on contemporary Egyptian art, by
Mankind has used animals such as onagers (wild donkeys), horses, camels, elephants, and dogs in conflicts for thousands of years, but no other animal has been employed so widely and continuously and was at times so comprehensively protected as the horse.
Mesopotamian city of Ur, where onagers, used for pulling battle carts, seem to have
Flourishing centers with enormous earthworks in geometric shapes as varied as octagons, trapezoids, and ellipses were present in the southern Ohio region of Hopewell.
Burials containing elaborate grave goods have been found in Mound 25.
The poet Billy Collins reflects on Joan of Arc’s absorbing expression in this original work.
She is said to have heard her calling but here, she is beholding it as well.
The site of Mal’ta, for which the culture is named, is composed of a series of subterranean houses made of large animal bones and reindeer antler.
poorly understood region in the prehistoric era, despite intensive excavations that have
boxwood, medieval, wood, miniature, saint philip, department of medieval art, the cloisters
Therefore the name of the original owner must have been Philip, and the roundels
The Artist: Stefano da Verona, sometimes mistakenly identified as Stefano da Zevio in the earlier literature, was among the outstanding painters in Lombardy and the Veneto in the early fifteenth century and a prime exponent of what is often termed the International Gothic Style, which is to say, art in the courts of Europe in the years around 1400
It may have been when he was in Paris on behalf of the Duke of Burgundy that Stefano
