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ÃŒgbèsànmwà (ivory- and wood- carving guild) artists – Pendant mask of ÃŒyá»�Ì�bà Idià – Edo – The Metropolitan Museum of Art

https://www.metmuseum.org/Collections/search-the-collections/318622

Commissioned by Ẹsìgie (r. ca. 1517–50), Benin City; by descent to Òvá»�Ì�nránmwẹ̀ (r. 1889–97); removed from the Royal Palace by Sir Ralph Moor, 1897; Sir Ralph Moor and his wife, Adrienne Moor, London, 1897–1909; John Sparks, London, 1909; Prof
Although images of women are rare in Benin’s courtly tradition, these two works have

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Brush Writing in the Arts of Japan | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2013/brush-writing

Showcasing masterworks of brush-inscribed Japanese texts, some serving as independent works of art and others enhanced by decorated papers or by paintings, this exhibition takes a close look at the original gestural movement marked in each work—the applied pressure, speed, and rhythm that are said to reflect the artist’s state of mind.
Complementing examples of calligraphy are paintings evoking the literary contexts that have

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Statue of the Goddess Sakhmet – New Kingdom – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/544484

Taken to England by John Barker; exhibited in the recesses of Waterloo Bridge in connection with being offered for sale at Sotheby’s, London, 1833; Collection of John Lee of Hartwell from 1833; Collection of Lord Amherst from about 1864; purchased by the Museum from Lord Amherst’s family, 1915
The Sakhmet statues have convincingly been shown to have constituted a „litany in

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