JIm Manganello and Lucy Ireland reflect on how lockdown has influenced their newest project, a podcast associated with their live show, the Untitled Discotheque Project, in which teens will talk openly to other teens about sex and relationships.
What are the rich territories that, pre-Covid, we may have driven through at top
Information for industry professionals wishing to attend the Children’s Festival
If you have any questions or issues with your booking, please contact boxoffice@imaginate.org.uk
Information for industry professionals wishing to attend the Children’s Festival
If you have any questions or issues with your booking, please contact boxoffice@imaginate.org.uk
Information for industry professionals wishing to attend the Children’s Festival
If you have any questions or issues with your booking, please contact boxoffice@imaginate.org.uk
Minnie Crook (she/her) is a performance artist and maker based in Glasgow. Her work is highly visual, immersive and experimental, engaging audiences through theatre, live art, facilitation and social practices. Often collaborating with both artists and non-artists alike, her work is rooted in autobiography and personal history, drawing from lived experiences to create compelling and thought-provoking pieces that challenge perceptions of the world around her.
Her work And When I Remember That I Have Forgotten is a celebratory dive into the
As an Artist the most important thing to know about me is that I come from the island of South Uist where I was raised on the family croft, amongst a family of Gaelic singers, storytellers and pipers. It is that connection to the Gaelic language, land and culture that inspires all my work.
I have been making theatre as a creative producer for the last 20 years.
Read more about News: Children’s Festival announces its 2024 programme
Children from Forthview Primary and Pilton Youth have been involved in programming
Gendersaurus Rex was an Imaginate-funded artistic research project led by Ivor MacAskill exploring gender, feminism, sexuality, queerness and difference and how these areas intersect with the field of live performance for children.
I know that this is rocky ground and I have sensed unease at even the idea of sexuality
Marion Geoffray reflects on her experiences delivering one of Imaginate’s first in-person projects in fifteen months, working alongside trainee artist Kemono Lebe Sinanduku and the P1 classes and teachers at Craigroyston Primary School.
I didn’t have to scratch my head for too long to realise that the theme of the residency
Marion Geoffray reflects on her experiences delivering one of Imaginate’s first in-person projects in fifteen months, working alongside trainee artist Kemono Lebe Sinanduku and the P1 classes and teachers at Craigroyston Primary School.
I didn’t have to scratch my head for too long to realise that the theme of the residency
