Dein Suchergebnis zum Thema: have

Information for industry professionals wishing to attend the Children’s Festival
If you have any questions or issues with your booking, please contact boxoffice@imaginate.org.uk

Information for industry professionals wishing to attend the Children’s Festival
If you have any questions or issues with your booking, please contact boxoffice@imaginate.org.uk

Information for industry professionals wishing to attend the Children’s Festival
If you have any questions or issues with your booking, please contact boxoffice@imaginate.org.uk

Minnie Crook (she/her) is a performance artist and maker based in Glasgow. Her work is highly visual, immersive and experimental, engaging audiences through theatre, live art, facilitation and social practices. Often collaborating with both artists and non-artists alike, her work is rooted in autobiography and personal history, drawing from lived experiences to create compelling and thought-provoking pieces that challenge perceptions of the world around her.
Her work And When I Remember That I Have Forgotten is a celebratory dive into the

Hannah Venet from Scotland has developed an intervention she created as part of the (over)protection Lab, Group Hug, that premiered at the Opening Weekend of the Edinburgh International Children’s Festival in May 2018.
What kept coming up for me were questions around how things have shifted and changed

JIm Manganello and Lucy Ireland reflect on how lockdown has influenced their newest project, a podcast associated with their live show, the Untitled Discotheque Project, in which teens will talk openly to other teens about sex and relationships.
What are the rich territories that, pre-Covid, we may have driven through at top

I don’t think it’s exaggerating to say – although it sounds like it – that aside from the youth theatre I joined at age 7 and the drama school I studied at, Imaginate is the organisation that has had the single greatest impact on my burgeoning career as a theatre maker. I’m currently halfway through a BBC Performing Arts Fund theatre fellowship with Imaginate, and this has already had an enormous impact on my career – not in the least in helping me secure a successful funding application to Creative Scotland to develop new work. (Pete Lannon)
like a lot of the significant moments in the development of my artistic practice have

I don’t think it’s exaggerating to say – although it sounds like it – that aside from the youth theatre I joined at age 7 and the drama school I studied at, Imaginate is the organisation that has had the single greatest impact on my burgeoning career as a theatre maker. I’m currently halfway through a BBC Performing Arts Fund theatre fellowship with Imaginate, and this has already had an enormous impact on my career – not in the least in helping me secure a successful funding application to Creative Scotland to develop new work. (Pete Lannon)
like a lot of the significant moments in the development of my artistic practice have

Jen McGregor and Marion Geoffray talk about about their project working with two P6 classes at Forthview Primary School, exploring themes of revolution, protest and counter-protest, and the ways in which we can make major and minor changes to our world.
themselves and tell everyone why they would be good at it, and once they’re elected they have

Infomation on current artists-led project managed by Imaginate
Participants have been offered space and a fee to write a blog reflecting on the