Dein Suchergebnis zum Thema: have

Just Kids –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/just-kids/

January 4, 2020 – December 13, 2020 | Harrison Photography Gallery | Free Exhibition Perhaps no other subject has been so well documented as the lives of children. The first text message to include a photographic image was a birth announcement; today, snapshots of children, teens, and young adults are among the most widely shared images across digital platforms
Photographic images of children have sparked some of the most contentious conversations

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The Mourners: Tomb Sculptures from the Court of Burgundy –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-mourners-tomb-sculptures-from-the-court-of-burgundy

January 23, 2011 – April 17, 2011 | Gallery 340 | Free Exhibition This exhibition presents thirty-eight miniature mourners (approximately 14 inches high) from the arcaded sarcophagus of Duc Jean sans Peur. These mute monks express human grief more succinctly than any other late Gothic or early Renaissance sculptures
Carved by two sculptors, Jean de la Huerta and Antoine le Moiturier, they have, with

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Jaron Childs and Jonathan Bruce Williams –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/jaron-childs-and-jonathan-bruce-williams

January 17, 2014 – March 30, 2014 | MAEP Galleries | Free Exhibition How to make a world: Jaron Childs Childs will present a new series of hyper-realistic and finely detailed paintings, based on his own photographs, that are a rejoinder to contemporary attitudes about beauty in painting. He has done this by carefully choosing images that both test the limits of acceptable sentimentality for critical art and offer visual pleasures that also contain sensations of alienation and loss
Previous installations have included images that flash and appear stereoscopically

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Ninga Izhichige Nibi Onji / I Will Do It For The Water –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/ninga-izhichige-nibi-onji-i-will-do-it-for-the-water

May 6, 2021 – September 12, 2021 | Katherine Kierland Herberger Gallery (Community Commons) | Free This exhibition explores the importance of nibi (the Ojibwe word for water) as a life-giving force. For the past ten years, Ojibwe artist and community leader Sharon M
brings together art, images, words, and works by the community of water walkers who have

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Actual Size: The Triumph of Tiny Prints –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/actual-size-the-triumph-of-tiny-prints

May 28, 2016 – November 13, 2016 | The Winton Jones Print and Drawing Gallery (G344) | Free Many great printmakers sometimes went small, eager to see what virtuoso feats of miniaturization they could wrest from their engraving tools. Mia Life Trustee John E
Some, like Rembrandt’s Goldsmith, have an intimate, personal feel.

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Sarah Burns and Andy Sturdevant –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/andy-sturdevant-and-sarah-ann

October 18, 2013 – December 29, 2013 | MAEP Galleries | Free Exhibition midday: Sarah Burns The sculptures in Sarah Burns’s exhibition midday reinforce her interest in prefabricated materials, such as drywall, lumber, carpet, plaster, and tiles, from which she makes expertly refined abstract shapes and sculptural forms. Her diverse practice begins with an openness to materials, yet there is also an architectural discipline and earnestness to Burns’s work; as Steen Eiler Rasmussen said, “No other art employs a colder, more abstract form, but at the same time no other art is more intimately connected with man’s daily life from the cradle to the grave.” Her sculptures and room-sized installations create experiences that oscillate between intimately constructed details and how those forms evoke domestic environments that recur in memories of personal spaces. Download the exhibition brochure of Sarah Burns’s midday (pdf) Alley Atlas: Andy Sturdevant Andy Sturdevant’s massive Alley Atlas used the MAEP gallery as the staging area for an open-source project on urban design and personal history
continues, the number of contributions will grow and the maps will show how the alleys have

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