We have closet space where you can store your personal belongings during your visit
We have representatives from nearly every area of Mia’s collection.
March 23, 2013 – June 16, 2013 | Pillsbury Lobby staircase | FREE This massive four-story mural represents months of research in the MIA’s collection and hours of sifting through museum catalogs and archived publications. Minneapolis College of Art and Design students Josh Manoles, a graphic designer, and Linnea Stephan, a photographer, selected then cut, clipped, and pasted dozens of digital files of objects from the collection into their collage of high-resolution images printed onto vinyl sheets
online and in databases; masterpieces from disparate eras and geographical regions have
January 4, 2020 – December 13, 2020 | Harrison Photography Gallery | Free Exhibition Perhaps no other subject has been so well documented as the lives of children. The first text message to include a photographic image was a birth announcement; today, snapshots of children, teens, and young adults are among the most widely shared images across digital platforms
Photographic images of children have sparked some of the most contentious conversations
(I have my eye on Nick Cave’s Sound Suit for my next visit.)
January 20, 2011 – April 3, 2011 | | FREE Ground Truth: Peter Happel Christian Peter Happel Christian measures, collects information, and records data, creating sculptures and photographs that are positioned at the intersection of art, science, and history. His exhibition Ground Truth explores the history of land stewardship and the use of visual technology to chart, measure, and document natural phenomena
Both photography and geographic image systems have developed into hyper-accurate
More than 250 stories have been added from Minnesota since the project began in 2017
If you have never used Zoom before, you will be prompted to download the Zoom app
More than 250 stories have been added from Minnesota since the project began in 2017
Ideally, all collaborators would have worked on separate “live” branches of the publication
