Dein Suchergebnis zum Thema: have

Gregory Fitz, Katelyn Farstad and David Frohlich –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/maep-katelyn-farstad-and-david-frohlich-isohyet-isopleth-and-gregory-fitz-seven-billion

April 20, 2012 – July 1, 2012 | MAEP Galleries | Free Exhibition Seven Billion: Gregory Fitz Seven Billion is the debut of Fitz’s ambitious three-part installation, comprising DayGlo gestural landscapes, paintings made after Ansel Adams photographs, and cinder-block table sculptures. The artist’s work is made from economical materials such as insulation foam and chipboard, and he works quickly
Through these works, audiences will have access to the artists’ expanded practices

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Continuous Threads: Prestige and Identity in Latin America –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/continuous-threads-prestige-and-identity-in-latin-america

November 10, 2012 – March 25, 2013 | Gallery 255 | Free Exhibition The history of woven textiles as a highly regarded, refined art form in Latin America spans 12 millennia. Physical evidence includes fragments of cloth and rope found in a Peruvian cave dating to about 10,000 BCE, and pieces of woven cords and mats made by the Olmec between 2,500 and 1,200 BCE along the Gulf Coast of Mexico
Weaving cooperatives have been formed to preserve and pass on to future generations

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José María Velasco: A View of Mexico –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/jose-maria-velasco-a-view-of-mexico

September 27, 2025 – January 4, 2026 | Bell Family Decorative Arts Court | Free Exhibition The exhibition “José María Velasco: A View of Mexico” celebrates one of the greatest 19th-century landscape painters in the Americas. Trained at the prestigious Academia de San Carlos, Mexico’s fine arts academy, Velasco became an influential figure in his home country of Mexico, much like his contemporaries Albert Bierstadt and Frederic Church in the United States
an unprecedented opportunity for Mia’s audience to view Velasco’s works, as many have

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Sarah Burns and Andy Sturdevant –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/andy-sturdevant-and-sarah-ann-2

October 18, 2013 – December 29, 2013 | MAEP Galleries | Free Exhibition midday: Sarah Burns The sculptures in Sarah Burns’s exhibition midday reinforce her interest in prefabricated materials, such as drywall, lumber, carpet, plaster, and tiles, from which she makes expertly refined abstract shapes and sculptural forms. Her diverse practice begins with an openness to materials, yet there is also an architectural discipline and earnestness to Burns’s work; as Steen Eiler Rasmussen said, “No other art employs a colder, more abstract form, but at the same time no other art is more intimately connected with man’s daily life from the cradle to the grave.” Her sculptures and room-sized installations create experiences that oscillate between intimately constructed details and how those forms evoke domestic environments that recur in memories of personal spaces. Download the exhibition brochure of Sarah Burns’s midday (pdf) Alley Atlas: Andy Sturdevant Andy Sturdevant’s massive Alley Atlas used the MAEP gallery as the staging area for an open-source project on urban design and personal history
continues, the number of contributions will grow and the maps will show how the alleys have

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