Accessibility and Inclusion –– Minneapolis Institute of Art https://new.artsmia.org/accessibility-and-inclusion/
If you have any accessibility issues while visiting Mia, please contact our Visitor
If you have any accessibility issues while visiting Mia, please contact our Visitor
October 26, 2024 – October 19, 2025 | Gallery 203 | Free Exhibition The narrative painting genre has been popular in Chinese art since the Han dynasty nearly two thousand years ago. The subjects of these paintings vary widely, from mythology and classic literature to history and political satire
features paintings from Mia’s permanent collection that showcase how Chinese artists have
directness of each sitter’s gaze, the poise and self-confidence with which they have
We’ll also have brunch cocktails available for purchase on-site.
Combined, we save an estimated 15 percent in electricity consumption and have significantly
And over the decades the growing group of people who believe they have Cherokee roots
March 18, 2023 – June 25, 2023 | U.S. Bank Gallery | Free Exhibition Body//Weight presents a series of works by Minneapolis-based artist Christopher Selleck. At the core of the exhibition is a seven-year investigation into body image and the depiction of the ideal masculine figure
lens through which to view identity, his various projects of the last few years have
September 6, 2021 – February 6, 2022 | Katherine Kierland Herberger Gallery, Community Commons | Free The exhibition features works from the Council of Black Male Success Rites of Passage, a program of the Cultural Wellness Center. Your experience in this gallery results from a collaboration between Mia and the Cultural Wellness Center
Cultural Wellness Center, we stress the capacity of Africans to produce knowledge, to have
August 17, 2019 – December 15, 2019 | Perlman Gallery (Gallery 368) | Free Exhibition This exhibition is the first to present the work of documentary photographer Carolyn “Meadow” Muska. Born and raised in Minnesota, Meadow came out as a lesbian at age 20
Because her photographs could have exposed her subjects to significant risks, including
Other museums had also purchased objects from Medici that were later found to have