Man on a Horse [verso] by Jean Honoré Fragonard https://www.nga.gov/artworks/56595-man-horse-verso
Admission is always free 6th and Constitution Ave NW Washington, DC 20565 Only have
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Na’neel’ZhÃÃn (Dark-Colored Barrier) by Dakota Mace https://www.nga.gov/artworks/228646-naneelzhiin-dark-colored-barrier
Admission is always free 6th and Constitution Ave NW Washington, DC 20565 Only have
Summer by Ignaz Marcel Gaugengigl https://www.nga.gov/artworks/59722-summer
Admission is always free 6th and Constitution Ave NW Washington, DC 20565 Only have
Emilio Amero | National Gallery of Art https://www.nga.gov/artists/2894-emilio-amero
Discover works by Emilio Amero and learn about the artist
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Charity Still and William Lloyd Garrison by Hank Willis Thomas https://www.nga.gov/artworks/176197-charity-still-and-william-lloyd-garrison
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Hôtel des Ventes | National Gallery of Art https://www.nga.gov/artworks/provenance/23437-hotel-des-ventes
Admission is always free 6th and Constitution Ave NW Washington, DC 20565 Only have
Friedrich Bienert | National Gallery of Art https://www.nga.gov/artworks/provenance/29344-friedrich-bienert
Discover works by Friedrich Bienert and learn about the artist
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Imitation by John Haberle https://www.nga.gov/artworks/106596-imitation
John Haberle, with his contemporaries William Harnett and John Peto, was one of the most important trompe l’oeil still-life painters in late nineteenth-century America. Of them, Haberle was specially noted for his style (the microscopic painting of detail) and for his favorite subject (money).
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Goldschmidt Galleries | National Gallery of Art https://www.nga.gov/artworks/provenance/9403-goldschmidt-galleries
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No More Play, Alberto Giacometti | National Gallery of Art https://www.nga.gov/node/856051
One of the great surrealist sculptors, Alberto Giacometti often incorporated themes of games and play into his early work, as with this sculpture. The form the artist used here resembles a board game with moveable pieces, yet the nature of the game is unclear. The ambiguous space and unknowable rules of the “game� represented in No More Play make this feel like an object one might encounter in a dream.
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