Dein Suchergebnis zum Thema: have/"<b

Stefano da Verona (Stefano di Giovanni d’Arbosio di Francia) – The Crucifixion – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/770595

The Artist: Stefano da Verona, sometimes mistakenly identified as Stefano da Zevio in the earlier literature, was among the outstanding painters in Lombardy and the Veneto in the early fifteenth century and a prime exponent of what is often termed the International Gothic Style, which is to say, art in the courts of Europe in the years around 1400
James B. Haggin, Bequest of Lillian S.

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Long-Necked Bottle – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/449097

Pierre Leven, Cologne (until 1853); his sale, J.M. Heberlé, Cologne, October 4, 1853, lot 137 (to Soltykov); Prince Alexei Soltykoff, Paris (1853–d. 1859); by descent to his brother, Prince Petr Soltykov, Paris (1859–61; his sale, Drouot, Paris, April 1961, lot 835,to Russel); Mr
Paris, 1859. ill. pl. 4 (b/w). Collinot, Eugène, and Adalbert de Beaumont.

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Bartolomeo degli Erri – Saint Dominic Resuscitating Napoleone Orsini – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435616

the high altar of the church of San Domenico, Modena (until about 1708–10); John Edward Taylor, London (until d. 1905); his widow, Mrs. John E. Taylor, London (1905–12; her sale, Christie’s, London, July 5 and 8, 1912, no
B[ryson]. B[urroughs]. "A Fifteeth-Century Italian Panel."

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Paolo di Giovanni Fei – Madonna and Child – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437248

This imposing picture, one of Fei’s most accomplished, is completely intact, with its original engaged frame richly decorated with gilded pastiglia and small cabochon stones alternating with medallions of verre églomisé (see Eisler 1961 for a discussion of this technique)
picture, whose provenance cannot be traced prior to the twentieth century, may have

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