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Saint Martin Announcing to His Parents That He Will Become a Christian – Flemish – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/460792?exhibitionId=%7B399244E4-6A49-4DF0-AB4E-17CA038ABF2C%7D&oid=460792&pkgids=308&pg=1&rpp=20&pos=4&ft=*&locale=en

This roundel is a rare and splendid example of early fifteenth-century Franco-Flemish embroidery. The detailed pictorial design and luminous palette, created by colored silk and metallic threads, highlight the sophistication of this medium, which was so highly prized during this period
panels are now dispersed among public and private collections), the embroideries may have

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Terracotta funnel-jar – Greek, South Italian, Apulian, Canosan – Early Hellenistic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/247410

From a hypogeum (so-called “tomb B�) on the property of Savino Scocchera in Mandorleto Grotticelle, east of Canosa, Italy 1895, found in a tomb near Canosa, Apulia, Italy; [by 1904 and until 1906, with Cesare and Ercole Canessa, Naples and Paris]; acquired in 1906, purchased from C
burial as the loutrophoroi 06.1021.245 and 06.1021.249; the pyxis 06.1021.253a, b;

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Attributed to Jean de Touyl – Reliquary Shrine – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/470310

From the convent of the Poor Clares at Buda (part of the modern city of Budapest); Countess V. Batthyany, Vienna ; Count Arthur Batthyany ; Frederick I, Grand Duke of Baden 1826–1907 ; his sale, Hôtel Drouot, Paris (January 28-29, 1867, no
This example, one of only four such shrines to have survived, is recorded in the

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Robe à l’anglaise – French – The Metropolitan Museum of Art

https://www.metmuseum.org/collection/the-collection-online/search/84611

New York. The Metropolitan Museum of Art. „The Eighteenth-Century Woman,“ December 12, 1981–September 5, 1982.The Metropolitan Museum of Art. „Fashion and History: A Dialogue,“ December 7, 1992–March 21, 1993
Left: 1976.146a, b; right: 1970.87a, b Artwork Details Use your arrow keys to navigate

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Moretto da Brescia (Alessandro Bonvicino) – Christ in the Wilderness – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437157

This is an early work by Alessandro Bonvicino, known as Moretto da Brescia, who, along with Girolamo Romanino, was the dominant painter in the city of Brescia (then in the westernmost area of Venice’s mainland empire) in the first half of the sixteenth century
suggested that The Met’s picture was a fragment of a larger composition that may have

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