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Cup – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/452513

CupThis cylindrical cup has slightly curved walls and a flat base. The decoration consists of an inscription impressed vertically eight times around the walls. Since each end of the tong was rectangular, the inscription is framed above and below by a row of short lines that create a decorative effect, as if the surface were divided into panels spaced at regular intervals
Many large beakers and bowls, and fragments thereof, have survived with rectangular

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Mosque Lamp for the Mausoleum of Amir Aydakin al-‚Ala’i al-Bunduqdar – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/447000

Mosque LampThis lamp has a flattened, almost globular body with a long flared neck and a low folded foot. Three suspension loops are attached to the body. The enameled and gilded decoration consists of three main registers and four narrower bands of continuous vegetal patterns
This enameled and gilded vessel is the earliest datable lamp known to have been hung

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Pendants and beads – Babylonian – Old Babylonian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/329227

Ca. 1911, known and possibly purchased by Ernst Herzfeld, near Tell al-Deylam (ancient Dilbat); by 1914, collection of Frida and/or Georg Hahn, Berlin, who most probably acquired it from Ernst Herzfeld; 1939, left on deposit at the British Museum by the Hahn family; acquired by the Museum in 1947, purchased from Charlotte Weidler, New York, on behalf of Georg Hahn
Other objects in the hoard seem to have been made earlier and kept for centuries.

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The World between Empires: Art and Identity in the Ancient Middle East | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2019/world-between-empires-art-and-identity-ancient-middle-east

This exhibition will present a new perspective on the vibrant artistic and cultural identities that flourished in the ancient Middle East as two great empires competed for regional control.
the archaeological sites featured, including Palmyra, Dura-Europos, and Hatra, have

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Eugène Delacroix – The Giaour on Horseback (recto); Study of a Woman with Head and Arms Thrown Back, and Study of the Head of an Old Man (verso) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/336577

Inscription: Notations in graphite on verso, right side, beginning couper/chars/abbatu…(illegible).Marking: Stamped in red ink, lower right: Delacroix estate mark (Lugt 838a)
the School of Nature: Nineteenth-Century Drawings and Paintings from the Karen B.

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Terracotta pyxis (cosmetic box) – Greek, Macedonian – Hellenistic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/255663

Metropolitan Museum of Art. 1979. „One Hundred Ninth Annual Report of the Trustees for the Fiscal Year July 1, 1978 through June 30, 1979.“ Annual Report of the Trustees of the Metropolitan Museum of Art, 109: p
that this pyxis was made in Macedonia, since other vessels with similar motifs have

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