Dein Suchergebnis zum Thema: have/"<b

This installation by Dan Graham (born 1942, Urbana, Illinois) is the second in a new series of site-specific commissions for the Museum’s Roof Garden. Comprising curves of steel and two-way mirrored glass set between ivy hedgerows, Graham’s structure is part garden maze, part modernist skyscraper facade.
Graham’s pavilions similarly invite romance or play, but their forms and materials have

Line: The Jack and Belle Linsky Collection, 1982 Object Number: 1982.60.197a, b

The discovery of vast quantities of West African ivory, called “white gold” in Europe, transformed the nature of African-Portuguese trading in the fifteenth and sixteenth centuries.
The design of the saltcellars ( 1972.63a,b); ( 1991.435a,b), with a round vessel

Dimensions: Overall (a: cope): 58 × 122 1/2 in. (147.3 × 311.1 cm) Overall (b:

Inscription: Inscribed in graphite with numerous color notations, including, in left margin: „violet / fond jaune / violet / filaments bleus / fond blanc“; top center: „baguettes vertes et rouges“; right margin: „bleu et jaune le milieu des fleurs / bleu / violet / vert“; far right (oriented perpendicularly): „l’aigle qui [illegible]“Marking: Stamped in red ink, lower left: Delacroixp estate mark (Lugt 838a)
"Devotion to Drawing: The Karen B.

The panels have a woven heading tape, and most also include braided cords that hang

Length of Fabric>One of the more popular layouts with Ottoman textile artists, and one that eventually found its way into other media such as ceramic tile decoration, the pattern on this fabric fragment features parallel undulating vines adorned with leaves and flowers
Several artistic decisions have resulted in the aesthetic success of this loom-width

Catharine H. Roehrig, Curator, Department of Egyptian Art discusses the early representations of the Temple of Dendur by Europeans.
The Museum is fortunate to have, among its vast holdings of books and works of art

While the interpretation of American Neoclassicism differed from one Atlantic coast city to the next, it typically drew from common sources.
The fourth edition of Pain’s treatise was printed in Boston in 1792 and would have

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