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Helmet of the Italo-Chalcidian Type, Anatomical Cuirass, and Left Greave – Etruscan, probably Vulci – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/748484

[Paul Munro-Walker, Bournemouth, Dorset, United Kingdom, before 1972; sold to Vecchi]; [Virgilio Costantino Vecchi, V. C. Vecchi & Sons, London, until 1972; sold to a private collector]; private collection, Switzerland (1972–2017; sold through Plektron Fine Arts A
Very few Etruscan panoplies appear to have ever included anatomical cuirasses, and

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Jean-Claude Duplessis – Vase (vase à tête d’éléphant) (one of a pair) – French, Sèvres – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/202194

Inscription: Stickers: [1] HILLINGDON – 148/Dated E – 1757/Exhibited Three Reigns/Exhb. 1933. No. 469/South Kensington 1862/Nos. 1272 and 1273; [2] S.L.4340.6,7/Anonymous; [3] By DUPLESSIS/Active 1750–1774
of 1779 indicates that the potpourri vase in the form of a ship (see 58.75.89a, b)

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Rococo Revival Parlor | The Metropolitan Museum of Art

https://www.metmuseum.org/about-the-met/collection-areas/the-american-wing/period-rooms/rococo-revival-parlor

The Richard and Gloria Manney John Henry Belter Rococo Revival Parlor presents a sumptuous mid-nineteenth-century parlor characteristic of affluent homes in the United States. It features furniture by one of the most innovative and virtuosic American cabinetmakers of the period in a room whose architectural elements are from the double parlor of a Classical Revival style villa built around 1850 in Astoria, Queens, for a prosperous businessman named Horace Whittemore (1813–1871).
including Horace’s brothers Albert and Edward, business partner and brother-in-law John B.

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