(19.12b); Standing Buddha (19.12c) – China – Style of Northern Wei dynasty, perhaps https://www.metmuseum.org/art/collection/search/65600
choose an item 近代 仿北é�石雕è�©è–©åƒ� (a); 北é� 石雕è�©è–©ç«‹åƒ� (b)
choose an item 近代 仿北é�石雕è�©è–©åƒ� (a); 北é� 石雕è�©è–©ç«‹åƒ� (b)
Brooklyn Museum, 2009; Gift of Sally Ingalls, 1932 Object Number: 2009.300.643a, b
Beads (1980.456, .457) and pendant (30.95.37)Among the luxury arts that flourished under the Fatimid caliphs, gold jewelry stands out for its innovation and complexity. According to literary sources, prodigious amounts of such jewelry were manufactured for both royal and patrician patrons; most of these items were later melted down for currency or refashioned into newer pieces
elements in trousseau lists.[5] The cloisonne enamel inserts on this pendant may have
Such large, elaborate vessels may have served as storage containers similar to the
palmettes, a device which appears on many non-prayer rugs of the period and may have
these two fragments of a single tapestry (see also 38.51.2), the unicorn appears to have
: Russian Painter (16th–18th century) Medium: (a) tempera and gold on wood; (b)
Classification: Textiles-Woven-Brocade Credit Line: Gift of Inger G. and William B.
[Paul Munro-Walker, Bournemouth, Dorset, United Kingdom, before 1972; sold to Vecchi]; [Virgilio Costantino Vecchi, V. C. Vecchi & Sons, London, until 1972; sold to a private collector]; private collection, Switzerland (1972–2017; sold through Plektron Fine Arts A
Very few Etruscan panoplies appear to have ever included anatomical cuirasses, and