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Hugo van der Goes – Portrait of an Old Man – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/440840

The Artist: Hugo van der Goes (ca. 1440–1482), born in Ghent, was one of the leading Flemish artists of the second half of the fifteenth century. Initially, Hugo followed in the grand tradition of the illusionism of Jan van Eyck’s paintings, with a palette of richly saturated colors and a clear organization of space that depended on single vanishing-point perspective
Punnett Endowment Fund, Marquand and Charles B.

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Giovanni Battista Moroni – Bartolomeo Bonghi (died 1584) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437164

Moroni’s portrait of the Bergamasque professor Bartolomeo Bonghi (died 1584) is one of his finest works from the 1550s. Bonghi is shown seated on a Savonarolan-style chair with a book in his left hand, gazing toward the viewer, and with a cityscape through the window beyond
B[ryson]. B[urroughs]. "Venetian Paintings."

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Saint Martin Offering the Wine Cup to the Priest – Flemish – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/460584?exhibitionId=%7B399244E4-6A49-4DF0-AB4E-17CA038ABF2C%7D&oid=460584&pkgids=308&pg=1&rpp=20&pos=2&ft=*&locale=en

This roundel is a rare and splendid example of early fifteenth-century Franco-Flemish embroidery. The detailed pictorial design and luminous palette, created by colored silk and metallic threads, highlight the sophistication of this medium, which was so highly prized during this period
panels are now dispersed among public and private collections), the embroideries may have

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Dress ornament – Scythian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/328961

Until 1924, collection of Alexandre Merle de Massonneau, who acquired material from the Caucasus area of south Russia and Crimea in the late nineteenth and early twentieth centuries (Leskov 2008, p. 1); acquired by the Museum in 1924, purchased from the Massonneau collection in Paris by John Marshall, The Metropolitan Museum of Art’s agent in Europe
The griffins on these rather small dress ornaments have a feline body with heads

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Saint Martin Brings a Dead Man to Life – Flemish – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/461385?exhibitionId=%7B399244E4-6A49-4DF0-AB4E-17CA038ABF2C%7D&oid=461385&pkgids=308&pg=1&rpp=20&pos=1&ft=*&locale=en

This roundel is a rare and splendid example of early fifteenth-century Franco-Flemish embroidery. The detailed pictorial design and luminous palette, created by colored silk and metallic threads, highlight the sophistication of this medium, which was so highly prized during this period
panels are now dispersed among public and private collections), the embroideries may have

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The Mummy of Nesmin: A Closer Look – The Metropolitan Museum of Art

https://www.metmuseum.org/perspectives/nesmin-2

Associate Curator Isabel Stünkel and intern Sarah Nankivell discuss recent CT scans of objects in the Museum’s collection, made possible by a collaboration between the Department of Egyptian Art and the NYU Langone Medical Center Department of Radiology.
Metropolitan Museum of Art, New York, Funds from various donors, 1886 (86.1.50a,b)

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