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The panels have a woven heading tape, and most also include braided cords that hang

to choose an item Title: The Return of the Axum Obelisk Artist: Theo Eshetu (b.

This installation by Dan Graham (born 1942, Urbana, Illinois) is the second in a new series of site-specific commissions for the Museum’s Roof Garden. Comprising curves of steel and two-way mirrored glass set between ivy hedgerows, Graham’s structure is part garden maze, part modernist skyscraper facade.
Graham’s pavilions similarly invite romance or play, but their forms and materials have

Line: The Jack and Belle Linsky Collection, 1982 Object Number: 1982.60.197a, b

The discovery of vast quantities of West African ivory, called “white gold” in Europe, transformed the nature of African-Portuguese trading in the fifteenth and sixteenth centuries.
The design of the saltcellars ( 1972.63a,b); ( 1991.435a,b), with a round vessel

Dimensions: Overall (a: cope): 58 × 122 1/2 in. (147.3 × 311.1 cm) Overall (b:

The Artist: The Sienese master Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique
He may have spent some time with Duccio (see 2004.442), but in his monumental mural

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
volumes in the Napoleonic era, and their brilliant colors and shining gold surfaces have

Bartolomeo Suardi was known as Bramantino after his contemporary in Milan, the great architect Bramante (1443/44–1514); his abiding interest in perspective and architecture, reflected in the background of this rare, private devotional painting, comes from that source
abstract quality of the space and buildings, as well as the gesturing figures, have

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